儛 to skip about, to dance for joy, to hop about as does a bunny rabbit whilst grinning and screaming with delight and joy 㐴,ヰ,𠂉,龷,亻,舞,

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MingLiU:

Mincho:

Gothic:

儛

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On-yomi [ Toggle rōmaji ]

ブ　･　ム
BU　･　MU

Kun-yomi

ま(う　･　ま(わす
ma　u　･　ma　wa　su

Glyph elements [ Toggle Font ]

㐴

× to seize, to pull and hold to oneself; to drag down and up

　SLIDING HEAD of ROD and SKEWED, SLANTING TO ONE SIDE, DIPPED, HEAPING TABLESPOON OF FLUIDS
…or: PERSON with EVENING ACTIVITIES
　

ヰ

× inverted foot, reversed, opposite, the other foot, slow or impeded movement

　ROD and CHANGING STATE, TWICE, TWO in RECIPROCATING MOTIONS
…or: REPEATEDLY BOBBING HEAD and SCREWING with ROD
　

𠂉

× HTML entity: 𠂉 prostrated, prone, supine, laid out flat

　THE HEAD with BOUGIE INSERTED
…or: HEAD and HORIZONTAL
　

龷

× HTML entity: 龷 cooperating, buddy system, working jointly, both, piled one on top of another, layered

　two SOIL or UPWARD THRUSTING elements in close contact
　

亻

× person (male generally), rod head, head on rod

　THE HEAD OF AN ANIMAL OR PERSON and VERTICAL, RECIPROCATING MOTION, ONE'S ROD, STALK OR STEM
　

舞

ブ,ま,～ま,まい to dance a gigue, to wield, to brandish, to excitedly move something back and forth while holding it in one's hands, whirl; conspicuous behavior, commotion and bustle, hopping around in a circle while hooting and hollering

　SUPINE, PRONE PERSON with MANY UPWARD THRUSTING PENISES and EVENING ACTIVITIES with INVERTED FEET
　

Meanings of elements

SEIZE, PULL AND HOLD TO ONESELF, TO DRAG DOWN AND UP with INVERTED FOOT, REVERSED, OPPOSITE, THE OTHER FOOT, SLOW OR IMPEDED MOVEMENT and with PERSON PROSTRATED, PRONE, SUPINE, LAID OUT FLAT with COOPERATING, BUDDY SYSTEM, WORKING JOINTLY, BOTH PILED ONE ON TOP OF ANOTHER, LAYERED
…or: PERSON, ROD HEAD SLIDING and WIELD, BRANDISH, WHIRL, CONSPICUOUS BEHAVIOR, COMMOTION AND BUSTLE, DANCE OR HOP AROUND IN A CIRCLE

No one can actually dance or hop with their feet fully inverted for too long, only perhaps a few leaps for fractions of a second, unless the person is lying on her or his back, naturally, or dancing with their hands on the floor. Wild actions hopping and jumping around whilst grasping only one foot of a prostrate person will generally cause the pair to revolve in a somewhat circular motion:>
「Qing Dynasty sex manuals listed 48 different ways of playing with women's [no-longer-integrated] bound feet」(after removing the binding cloths, of course)
[ https://en.wikipedia.org/wiki/Foot_binding 2012-12-17 ]

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Japanese EDRDG: to skip about, to dance for joy
Unihan extended: to skip about, to dance for joy

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.