窹 equipment for cooking meat, bringing a prostitute into one's home, lusting for anal and addicted to sex, burned and tender to the touch, painfully sensitive 丶,㓁,宀,儿,寤,丅,ユ,口,爿,吾,

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MingLiU:

Mincho:

Gothic:

窹

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On-yomi [ Toggle rōmaji ]

ゴ
GO

Kun-yomi

かまど
ka　ma　do

Glyph elements [ Toggle Font ]

丶

チュ,× emphasized part of a glyph

　[emphasis is HERE in a glyph]
　

㓁

× netting, snare, claptrap, useless, extraneous, superfluous, redundant, unnecessary, exceeding what is necessary or natural

　SURROUND ON ALL SIDES and COPULATING, NOT WALKING, BENT LEG
　

宀

ベン,メン,× surround from above, deliberately out-of-reach, at home, roofed area

　SURROUND, COVERED ALL SIDES from above (marker)
　

儿

ジン,ニン,がい squatting copulation with bended knees, not walking, the male

　ERECTION, QUICK MOVEMENT with PENIS
…or: STRAIGHT UP ERECTION with BENT PENIS
　

寤

ゴ,さ awaken from slumber, few, scarce, empty, deserted, wake up and gain understanding, coming to one's senses, woke

　DELIBERATELY OUT-OF-REACH with STRETCHER, BIER and I, ME, MY ARROGANCE, RESIST, IMPEDE, EVASIVE
…or: STAYING OUT OF REACH of BED with ROD DOWN and PULLED OUT OF SHAPE TO ONE SIDE with ORIFICE
　

丅

カ,ゲ,した,しも,もと,さ,くだ,お down, rod down

　DOWN
　

ユ

× HTML entity: ユ pulled out of the normal shape

　ROLLED, ROLLING, BEING ROLLED, SECOND POSITION, 2ND IN A SEQUENCE and LATERAL MOTION
…or: EXTREME TENSION, STRESS WITH PAIN AND GASPS, TAUT, TIGHT, SPRING-LIKE ACTION and INDICATES THE WIDTH OR EXTENT OF ANOTHER ELEMENT, AN ARRAY OF ITEMS
　

口

コウ,ク,くち orifice, mouth, cavity or passage of the body; an opening, aperture, vent

　ORIFICE
　

爿

ショウ,ソウ,× a piece of wood or a woody, thin strips, soil in stripes, chopped into pieces, thin slices, flakes, to carve thinly, one-sided, on one side, positioned to one side, half of a whole; split wood or bamboo, wooden plank, stiff wood, sick wood, deathbed, sickbed, stretcher, bier (for carrying the dead)

　ERECT ROD UP or DOWN and RIGHT-ANGLED GNARLY BADLY BENT
　

吾

ゴ,われ,わが～,あ～ resist, impede; evade, evasive; I, me, my, we, us (connotes arrogance), indicating familiarity or contempt; five orifices of a concubine

　FIVE ORIFICE(S)
…or: ROD with NO-LONGER-INTEGRATED FOOT ORIFICE
…or: ROD DOWN and PULLED OUT OF SHAPE TO ONE SIDE with ORIFICE
　

Meanings of elements

PIT CAVITY ANUS with SOIL STRIPES, CHOPPED INTO PIECES, ONE-SIDED and with RESIST, IMPEDE, EVADE, EVASIVE, MY ARROGANCE, ROD DOWN and PULLED OUT OF SHAPE TO ONE SIDE with ORIFICE
…or: THIS IS THE POINT RIGHT HERE with NETTING SNARE CLAPTRAP, EXCEEDING NECESSARY OR NATURAL with BED and THE FIVE ORIFICES
…or: DELIBERATELY OUT-OF-REACH AT HOME with COPULATION and SICK WOOD, DEATHBED and ARROGANT ME
…or: COPULATION in AWAKENING FROM SLUMBER, SCARCE, DESERTED, WOKE, GAIN UNDERSTANDING, COMING TO ONE'S SENSES
…or: SCARCE, EMPTY, DESERTED with BENT LEG COPULATION
…or: TRAP, PIT of the BED with IMPEDIMENT

Sensitivity to pain and tenderness due to infection or rough prior sessions,「trap, impediments to bed」: never getting enough of one's lustful desires. The「place for heating one's meat」as a reference comparing anal coitus to a soil cooking vessel is replete as a euphemism in dynastic Chinese glyphs.

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.