簆 heddles or healds of a loom; reed 筦,攵,攴,完,竹,寇,

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MingLiU:

Mincho:

Gothic:

簆

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On-yomi [ Toggle rōmaji ]

コウ　･　ク
KO　U　･　KU

Kun-yomi

おさ
o　sa

Glyph elements [ Toggle Font ]

筦

カン,ふえ,くだ to control or to be in control, tubes, piping, key, picking a lock, instruments resembling pipes, stricture dilatation, set of bougies in various sizes, treatments successfully completed, being back in the saddle again, riders up!

　DELIBERATELY OUT-OF-REACH within REBIRTH, REGENERATION, REINCARNATION, BECOMING MEAT AGAIN with BENT LEG COPULATION
…or: BAMBOO, BOWING OVER, FLEXIBLE and COMPLETE, NO MORE THE END, PERFECT
　

攵

ホク,× goad, coerce, force, incite action, prostrate and stroking, whacking

　SUPINE with PETTING CROSSING MOTION
…or: WHACKED and PROSTRATED
　

攴

ホク,× coerce; forced; goad, to prod, poke; incite

　PREPUBESCENT FEMALE, DIVINE and CROTCH
…or: RAISED ROD with CROTCH
　

完

カン,× completeness, finished, perfection, nothing more to add; intimated pedophilic incest

　PREFERENCE FOR BEING TIPSY
…or: CALM AND PEACE with ROD COPULATION
…or: RATHER, PREFERENCE FOR, STANDING and COPULATING with ROD
…or: RATHER, PREFERENCE FOR, CAUSED TO BECOME ERECT, BEING WITHIN A VESTIBULE with HAIRLESS PLACE, BALD SPOT
…or: RATHER, PREFERENCE FOR COPULATING ALONE
…or: DELIBERATELY OUT-OF-REACH AT HOME with ROD and COPULATING ALONE
…or: CALM AND PEACE with UNIT OF MONEY
…or: DELIBERATELY OUT-OF-REACH AT HOME and TWO COPULATING
…or: AT HOME with ORIGINAL, OCCURRED FIRST, TWO COPULATING
　

竹

チク,たけ bamboo, bowing over, kowtowing, lordosis, flexible

　HEAD DOWN with PROSTRATE STREAM
…or: HEAD of ROD DOWN and HEAD OF MALE BLASTING DISCHARGE
…or: PERSON PROSTRATE with ROD and MALE HEAD BLASTING DISCHARGE, HEAD STREAMING AN ARRAY
　

寇

コウ,あだ invade, pillage, plunder, bandits, thieves, enemy; grudge, feud, revenge

　EMPHASIZED with GRUDGE, FEUD, REVENGE, INVADE, PILLAGE, PLUNDER, BANDITS, THIEVES, ENEMY
…or: COMPLETENESS, FINISHED, PERFECTION, NOTHING MORE TO ADD, INTIMATED PEDOPHILIC INCEST with COERCE, FORCE, GOAD, TO PROD, POKE, INCITE
…or: SURROUNDED, OUT-OF-REACH and WHATEVER OCCURS FIRST with RAISED ROD and CROTCH OF PREPUBESCENT DIVA
　

Meanings of elements

BE IN CONTROL, TUBES, PIPING with RODS UP AGAIN AND AGAIN or FORCE, INCITE ACTION, WHACKING
…or: FLEXIBLE BAMBOO and COMPLETE, NO MORE THE END, PERFECT with SHUTTLING ACTION of TWO COPULATING with HEAD in CROTCH
…or: BOWING DOWN REPEATEDLY with INVASION, GRUDGINGLY, PILLAGE, FORCIBLY PULLED FROM THE GROUP

[Elements vary by font] heddles (or healds) of a loom forcibly pull up a varying sequence of threads in order to allow the shuttle to pass between the pulled threads and those not raised (these two sets of threads then form a「crotch」shape), thus creating a weave pattern. Forcing some threads to be pulled from others for some shuttling action can be likened to pulling the females from a group of vanquished serfs and having one's way shuttling with their crotches (lower element). Parts of early Chinese loom heddles were likely made from flexible bamboo. It may go without saying that the HEDDLES of a loom appear as a long array of bougies with a trail of colorful threads bobbing up and down at the tip of each.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: healds of a loom
Unihan extended: reed
EDRDG: reed

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.