櫁 Buddhist grave offering, Japanese star anise 柲,宓,宀,虫,木,蜜,

注意：このページには、一部の読者にとって不快または不適切な内容が含まれている可能性があります。
Note: This page may contain content that is offensive or inappropriate for some readers.

MingLiU:

Mincho:

Gothic:

櫁

Login Welcome!　Introduction
Glyphs missing from your font set may appear strange, or not at all. We recommend enabling East Asian language support.

On-yomi [ Toggle rōmaji ]

ミツ
MI　TSU

Kun-yomi

しきみ　･　じんこう
shi　ki　mi　･　ji　n　ko　u

Glyph elements [ Toggle Font ]

柲

ヒ,ヒツ,ビチ,にぎり,ふる a handle, the place to grip and grab ahold, weapon handle

　WOOD, A WOODY with NECESSARY, ESSENTIAL, CERTAIN, WITHOUT FAIL, INVARIABLE, INEVITABLE
…or: WOODY with SEXUALLY TRANSMISSIBLE INFECTIOUS DISEASE
　

宓

ミチ,フク,ヒツ,やす still, silent, quiet

　DELIBERATELY OUT-OF-REACH of SEXUALLY TRANSMISSIBLE DISEASES
…or: DELIBERATELY OUT-OF-REACH with SEXUALLY TRANSMISSIBLE DISEASES
　

宀

ベン,メン,× surround from above, deliberately out-of-reach, at home, roofed area

　SURROUND, COVERED ALL SIDES from above (marker)
　

虫

チュウ,キ,むし snake, worm, caterpillar, insect, larva, bugs, pathogens, corkscrew demons, lower life form, to have a lover, person with a particular undesirable characteristic

　ROD in ORIFICE with REPEATEDLY BOBBING HEAD and DRIP
…or: TWO-SIDED LOOSE and DRIPPING
…or: ORIFICE BITING and DRIPPING
…or: MOUTH and TAIL
…or: SHORT LEG in VULVA
…or: WITHIN, AMONG and HEAD UP AND IN with emphasis
　

木

ボク,モク,き,こ～ wood, woody stalk, stem, wooden, a woody, tree, implanted, simple, simpleton, coffin, encased death, unfeeling, numb

　TWISTING a TAUT HEAD
…or: SCREWING EMISSIONS
…or: HAND on TAUT ROD
　

蜜

ミツ,ビツ,× honey, nectar, one's honey, a honeypot

　DELIBERATELY OUT-OF-REACH and ESSENTIAL with SNAKE, INSECT
…or: STILL, SILENT, QUIET with one's WORM
…or: IN GOOD HEALTH and LARVA, CATERPILLARS, IMMATURE BUTTERFLIES
…or: HEAD SLIDING of SPEWING PENIS APPENDAGE with LOOSE DRIPPING ROD IN ORIFICE, HEAD UP AND IN
　

Meanings of elements

HANDLE, THE PLACE TO GRIP AND GRAB AHOLD with STILL, SILENT, QUIET, QUIESCENT and WOODY with SURROUND FROM ABOVE, DELIBERATELY OUT-OF-REACH with SNAKE, WORM, INSECT LARVA, BUGS, PATHOGENS, CORKSCREW DEMONS, LOWER LIFE FORM and with HONEY, NECTAR, ONE'S HONEY, A HONEYPOT
…or: WOODY with HONEY NECTAR, a SECRET
…or: WOODY and KEEPING SEXUALLY TRANSMITTED DISEASE WORMS OUT-OF-REACH

Plant representing the「good health of one's wormy spewing deliberately out-of-reach snake」perhaps offered a bit late if the guy has already died: a GRAVE OFFERING. Used in traditional Chinese medicine for treatment of skin problems related to lesions and chancres due to syphilis. As「woody with gooey honey, covered with sweetness」and how that might relate to leaving an offering at a grave site: elements are suggestive of obscuring the true reason for death by covering the area of infection, as the FINAL NICE GESTURE, GRAVE OFFERING for a deceased person's corpse prior to cremation or burial…today in the West a closed casket funeral is used for these reasons. See the alternative form 樒 (「wood deliberately covered spewing venom, glans LAVA flow from volcanic shape」) since the gonorrhea bacteria living in the genitals was still likely flowing copiously after the death of the host.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
EDRDG: Japanese star anise

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.