襢 to strip until naked, lay bare, bared, naked body, necrophilia, sexual fetishes 祖,′,袒,衵,㐭,旦,衤,亶,

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MingLiU:

Mincho:

Gothic:

襢

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On-yomi [ Toggle rōmaji ]

タン　･　セン　･　チン
TA　N　･　SE　N　･　CHI　N

Kun-yomi

はだぬぎ
ha　da　nu　gi

Glyph elements [ Toggle Font ]

祖

ソ,× HTML entity: 祖 ancestor

　ALTAR, RELIGION, DISPLAY but ONLY ON A TEMPORARY BASIS
…or: DISPLAY of MEAT PILE
　

′

袒

タン,かたぬ to strip, lay bare, bared, lying naked, underwear fetish, transvestite

　emphasis on DISPLAYED MEAT PILE, DEAD ANCESTOR
…or: RECIPROCATING ROD MOTION HORIZONTALLY, ROD STALK OR STEM, INDICATES THE EXTENT OF ANOTHER ELEMENT, ONE, ARRAYED in or ARRAY of WOMEN'S UNDERGARMENTS, CHEMISE
…or: CLOTHING with FEMALE ROLE, DAWNING, AWAKENING, ON THE VERGE, ON THE EDGE, FEUDAL LORD, BRAGGART, CHUTZPAH, GALL, HUSBAND, BROTHEL CLIENT
…or: CLOTHING and ARRAYED of HAVING A REASON TO DO SOMETHING, PRETENDING, A PRETEXT, EXCUSE GIVEN TO HIDE THE TRUE REASON FOR SOMETHING
　

衵

ジツ,あこめ women's undergarments, chemise

　CLOTHING and TONGUE SHOWING IN A MOUTH
…or: CLOTHING designed for TONGUING MOUTH
…or: CLOTHES over ARRAY of ORIFICE
…or: CLOTHES and PRETENDING, PRETEXT, EXCUSE GIVEN TO HIDE THE TRUE REASON FOR SOMETHING
…or: CLOTHING and ROWDY, two ORIFICES JUXTAPOSED
　

㐭

× seed stockpile, phallic, male, phallus; to supply something to eat, foodstuff, stuffing action as food, raw material with nutrients capable of ingestion

　PALMING, HEAD UNDER CONTROL of CAPTIVE ORIFICE, ENCLOSED MOUTH, CYCLE NUMBER OF TIMES, GO BACK AGAIN, ROTATE, TURN, SCREWING MOTIONS, COUNTER FOR NUMBER OF OCCURRENCES
…or: PALMING and CYCLE A NUMBER OF TIMES
…or: emphasis on ROD, CONTROL OF HEAD with COCKRING ANNULUS
　

旦

タン,ダン,あき,あきら,ただし,あさ,あした on the verge, on the edge, feudal lord, braggart, chutzpah, gall, husband, brothel client, female role, dawn, dawning, an awakening

　SUN above HORIZON
…or: TONGUING MOUTH ARRAY
　

衤

×,ころも cloth, cloths, clothes, clothing

　emphasis on the DISPLAY
…or: emphasis on NO-LONGER-INTEGRATED FOOT with VERTICAL PERSON WHO SITS MOST OF THE TIME
…or: NO-LONGER-INTEGRATED FOOT DRIPPING VERTICALLY with emphasis
…or: NO-LONGER-INTEGRATED FOOT with emphasis on FLACCID ROD
　

亶

タン,セン,あつ,ほしいまま both male and female roles; dramatic, drama, raised stage or altar, the way it really is; whatever he likes, anything that he desires, anything that he wishes

　SEED STOCKPILE, PHALLUS, MALE, SUPPLY SOMETHING TO EAT with TONGUING SOMETHING, TONGUE IN A MOUTH, SPEAK, HAVING A REASON TO DO SOMETHING, PRETENDING, A PRETEXT, EXCUSE GIVEN TO HIDE THE TRUE REASON FOR SOMETHING with LATERAL RECIPROCATING ROD MOTION, ROD STALK OR STEM, INDICATES EXTENT OF ANOTHER ELEMENT, ONE
…or: PALMING HEAD, PALMING ORIFICES or PALMING COCKRING, CYCLE BACK AGAIN, SCREWING MOTIONS, COUNTER FOR NUMBER OF OCCURRENCES and ON THE VERGE, FEMALE ROLE, DAWNING, AN AWAKENING, ROD in ORIFICE with ONE, INDICATES EXTENT
　

Meanings of elements

emphasis on DEAD ANCESTOR with MALE ROLE
…or: TO STRIP, LAY BARE, BARED, LYING NAKED, UNDERWEAR FETISH, TRANSVESTITE and PALMING HEAD MANY TIMES AGAIN AND AGAIN
…or: TO SUPPLY SOMETHING TO EAT, MALE ROLE inside ARRAY of WOMEN'S UNDERGARMENTS, CHEMISE
…or: CLOTHING and BOTH MALE AND FEMALE ROLES, DRAMA, RAISED STAGE OR ALTAR, THE WAY IT REALLY IS
…or: CLOTHING with MALE PHALLUS SEED STORAGE STOCKPILE in the FEMALE ROLE, DAWNING, AN AWAKENING, ARRAYED and PRETENDING, A PRETEXT, EXCUSE GIVEN TO HIDE THE TRUE REASON FOR SOMETHING

「Clothing and both male and female roles」suggests a time to STRIP NAKED and LAY BARE.
　A corpse is often stripped naked a bare prior to disposal, cremation or burial in order to autopsy or prepare the body for the funeral by embalming and changing clothes…in the old days when clothing was all handmade, fine clothes were salvaged for others to use,「both male and female roles.」
　While in a naked condition, such as changing clothes of a male or female corpse, often there was a final farewell to the deceased, again by both males and females in that role. A male corpse normally experiences a posthumous erection called a priapism that was used by concubines of a deceased lord as a farewell gesture (see 魕 for details).
　「Singular accounts of necrophilia in history are sporadic, though written records suggest the practice was present within Ancient Egypt. Herodotus writes in The Histories that, to discourage intercourse with a corpse, ancient Egyptians left deceased beautiful women to decay for 'three or four days' before giving them to the embalmers. Herodotus also alluded to suggestions that Greek tyrant Periander had defiled the corpse of his wife, employing a metaphor: 'Periander baked his bread in a cold oven.' …Hittite law the 16th century BC through to the 13th century BC explicitly permitted sex with the dead.」
　　[　https://en.wikipedia.org/wiki/Necrophilia 2015-11-21, emphasis ours　]　
　And apparently, necro-feelie-ya is still alive and well in the 21st century:
　「A Los Angeles police officer has been charged with a felony after footage captured by a body camera allegedly showed him fondling a deceased woman's breasts.」
　　[　https://www.cbsnews.com/news/los-angeles-cop-david-rojas-arrested-for-allegedly-fondling-dead-womans-breasts/ 2019-12-13　]　 (albeit a mild case, in comparison to Snow White and the Seven Dwarves, to be sure).

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: to bare
Unihan extended: strip; lay bare; bared; naked
EDRDG: strip; lay bare; bared; naked

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.