簧 reed of woodwind instrument, lock spring 笛,廿,一,ハ,竹,黃,

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MingLiU:

Mincho:

Gothic:

簧

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On-yomi [ Toggle rōmaji ]

コウ
KO　U

Kun-yomi

した
shi　ta

Glyph elements [ Toggle Font ]

笛

テキ,ふえ flute, whistle, musical instruments resembling pipes; set of medical instruments

　BAMBOO EXTRACTION
　

廿

ジュウ,ニュウ,にじゅう twenty or so; many and various times; illegitimate child

　ARRAY of CAVITIES
…or: TEN (doubled)
　

一

イチ,イツ,ひと～ horizontal, array of items, reciprocating lateral motion, indicates width or extent, one segment, rod stalk or stem

　SIDE TO SIDE, BACK AND FORTH
　

ハ

× HTML entity: ハ emit downward

　EMISSIONS, EMIT DROPS
…or: HEAD TAUT
　

竹

チク,たけ bamboo, bowing over, kowtowing, lordosis, flexible

　HEAD DOWN with PROSTRATE STREAM
…or: HEAD of ROD DOWN and HEAD OF MALE BLASTING DISCHARGE
　

黃

コウ,オウ,き pus, a pus-like ("pussy") bio-schmutzy substance, dull yellow, pornographic, to fall through, sudden and final failure, squeeze or push through, flashing in the night, high-pitched shrill screaming

　TWENTY OR SO, MANY AND VARIOUS TIMES, ILLEGITIMATE BASTARDS with AN ARRAY OF ITEMS, ROD STALK, INDICATES EXTENT and with A CAUSE, CAUSATION, THE REASON FOR [SOMETHING], FALLING DROPS, EXTRACTION and with PLUGGED FILLED ORIFICE OR CAVITY, WET AREA FOR IMPLANTING, WETLANDS, MUCK POOL, SLURRY PIT, PUBLIC USE, MANY ORIFICES, CLAMOUR, THUNDEROUS, PROTOPLASM SLIME, DARK RED PIGMENT with EMIT SPLASHING DOWN
　

Meanings of elements

FLEXIBLE BAMBOO and TWENTY OR SO, MANY AND VARIOUS TIMES, BASTARD with RECIPROCATING ROD MOTION and EXTRACTION with EMISSIONS SPLASHING DOWN
…or: BOWING OVER, BAMBOO with SQUEEZE OR PUSH THROUGH, HIGH-PITCHED SHRILL

Air is squeezed through a reed to cause vibrations that create the sound of a musical instrument, such as an oboe, bassoon today, or a variety of ancient Chinese woodwind instruments with a「high-pitched shrill sound.」A shape similar to a woodwind reed is used as the spring of a lock that operates by「squeezing or pushing through」a spring-loaded device beyond a catch, cam, cog or bump until the spring action causes a lever or prong to engage the cog or bump on the leading side (spring shaft resembles this shape: 亻). When this design is applied to a bougie, a sharpened edge on the inner prong severs the scar tissue obstruction as the tool is extracted, with some accompanying bleeding of course: entry with no cutting, but exits while shaving an inner slice or flake of scar tissue and pulls that piece out as the bougie is removed from within the urethra.

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: metallic reed; spring of lock
Japanese EDRDG: flute reed
Unihan extended: reed of woodwind instrument

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.