趫 applying woody shafts to one's feet, fast action, used in quick rotation, nimble, being first in line, first-served as first to come 坰,龰,呑,吞,天,口,夭,吅,冂,呑,冋,走,喬,

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MingLiU:

Mincho:

Gothic:

趫

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On-yomi [ Toggle rōmaji ]

キョウ　･　チョウ
KYO　U　･　CHO　U

Kun-yomi

すばや(い
su　ba　ya　i

Glyph elements [ Toggle Font ]

坰

ケイ,キョウ,× environs; wild

　SOIL, GROUND and VAGINA, CLOACA, AREA DIFFICULT TO ACCESS, REMOTE, DOORWAY TO NEIGHBOR, BORDER
　

龰

× erotic, erogenous; astride, straddling, mounted; foot, feet, lower legs; erogenous feet; erotically straddling with one foot on each side

　DIVINE with PERSON ADULT MALE
…or: PREPUBESCENT FEMALE and PROSTRATE
…or: DIVINE and TAUT with HEAD
…or: PREPUBESCENT FEMALE on MAN
　

呑

トン,ドン,の engulf, ingest internally, absorb, drink, swallow, overwhelm, suppress, taking a gamble, accepting risk

　YOUTHFUL ORIFICE
…or: DIE YOUNG and MOUTH, ORIFICE
…or: ORIFICE that PREMATURELY CEASES TO FUNCTION
　

吞

ドン,トン,テン,のむ engulf, ingest internally, absorb, drink, swallow, to take in

　THRUSTING DOWNWARD, TO FUCK, BECOME DRAINED OF FLUIDS, MAIN TRUNK OR SHAFT and STRETCHED TAUT with MOUTH ORIFICE
…or: DEFENSIVE with MAIN SHAFT and UNDER THE CONTROL OF ANOTHER, THE OTHER SIDE with MOUTH ORIFICE
…or: PREMATURE DEATH with MOUTH, ORIFICE
…or: YOUNG AND FRESH with MOUTH ORIFICE
…or: DIVINE, CELESTIAL, BOUNDLESS, NO LIMIT, NEVER-ENDING, HEAVENLY SKY with ORIFICE, MOUTH, CAVITY OR PASSAGE OF THE BODY
　

天

テン,あまつ,あめ,あま～ heaven, divine, celestial, boundless, no limit, never-ending, heavenly, sky

　HORIZONTAL MOTION, ROD with BOTH HANDS, BIG
…or: TAUT DOWNWARD THRUSTING PENIS
…or: BIG ARRAY
…or: TWO MALE PERSONS
…or: ROD with HAND and TAUT
　

口

コウ,ク,くち orifice, mouth, cavity or passage of the body; an opening, aperture, vent

　ORIFICE
　

夭

⺕ウ,オウ,カ,わか,わかじに,わざわい young, fresh-looking, tender; to die while young, prematurely cease functioning

　REPEATEDLY BOWED HEAD or HEAD SLIDING with TWO HANDS, BIG
　

吅

× juxtaposed orifices, rowdy behavior; female-female relations

　multiple ORIFICES, MOUTHS
　

冂

キョウ,ケイ,× widely spread legs, surrounding outer edge

　VERTICAL RECIPROCATING MOTION, ROD with TENSION TIGHT SPRING-LIKE ACTION, NO-LONGER-INTEGRATED AND BOUND FOOT OF CHINESE FEMALE
　

呑

トン,ドン,の engulf, ingest internally, absorb, drink, swallow, overwhelm, suppress, taking a gamble, accepting risk

　YOUTHFUL ORIFICE
…or: DIE YOUNG and MOUTH, ORIFICE
…or: ORIFICE that PREMATURELY CEASES TO FUNCTION
　

冋

キョウ,ケイ,まきがまえ,えながまえ,どうがまえ,けいがまえ vagina, cloaca, area difficult to access, remote, doorway to one's neighbor

　ORIFICE within SPREAD LEGS
　

走

ソウ,はし to run, walk, go or to move feet; to change shape or meaning, to leave home; spring spawning, first harvest

　GROUND and RAISED FEET
…or: NIGHT SOIL with ASTRIDE, STRADDLING, MOUNTED
…or: FECES with EROTICA
　

喬

キョウ,たか boasting, tall and proud pose, braggart

　ROD REPEATEDLY IN TAUT ERECTION with YOUNG, FRESH-LOOKING JUXTAPOSED ORIFICES, ROWDY BEHAVIOR, FEMALE-FEMALE RELATIONS and an ORIFICE in SPREAD LEGS
…or: REPEATED HEAD SLIDING of TAUT ERECT ROD with ORIFICE above the VAGINA
…or: INGEST INTERNALLY, ABSORB, DRINK, SWALLOW, TO TAKE IN, ENGULFED with VAGINA
…or: TAKING A GAMBLE, ACCEPTING RISK with AREA DIFFICULT TO ACCESS, REMOTE, DOORWAY TO ONE'S NEIGHBOR
…or: TO BE SMOKING with a VAGINA
　

Meanings of elements

EROTIC ENVIRONS of YOUNG BOOTY THAT ENGULFS with HEAVENLY ORIFICES
…or: SPRING SPAWNING with YOUNG FEMALE ORIFICES IN SPREAD LEGS
…or: RUNNING and TALL AND PROUD POSE, BRAGGART, BOASTING, BEHAVING AS AN ASSHOLE

A successful attempt at being first in line to select the first offerings of the season by the shaman. WALKING ON STILTS also seems to refer to having「hard wood firmly in the soles of both feet with one's legs spread」making great strides as depicted in erotic Chinese art: men in dynastic China masturbated by wrapping no-longer-integrated feet around an erect penis.「Bound feet were once considered intensely erotic in Chinese culture. …The process was started before the arch of the foot had a chance to develop fully, usually between the ages of 2 and 5. …Qing Dynasty sex manuals listed 48 different ways of playing with women's [no-longer-integrated] bound feet」(after removing the binding cloths, of course)
[ https://en.wikipedia.org/wiki/Foot_binding 2012-12-17 ]

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: nimble; walk on stilts
Japanese EDRDG: nimble
Unihan extended: nimble

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.