鱚 whiting 鮚,䒑,口,魚,喜,

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MingLiU:

Mincho:

Gothic:

鱚

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Kun-yomi

きす
ki　su

Glyph elements [ Toggle Font ]

鮚

キツ,ギチ,ケツ,ケチ,はまぐり oyster

　SLIPPERY MEAT and MOUTH THAT IS FULL, AUSPICIOUS, GETTING LUCKY, GOOD, PENILE INSERTION IN SOME ORIFICE
　

䒑

× HTML entity: 䒑 spurting shaft stance stuff flying up

　EMIT an ARRAY
…or: EMISSIONS from ROD SEGMENT
　

口

コウ,ク,くち orifice, mouth, cavity or passage of the body; an opening, aperture, vent

　ORIFICE
　

魚

ギョ,うお,さかな,～ざかな aquatic animals (refers not necessarily solely to "fish" in the modern cladistic sense, and includes cetaceans); wet and slippery meat, fishy smell, to catch a sucker

　HEAD AND NECK with CLOSED ORIFICE and MANY EMISSIONS
…or: DANGER, LOOKING UP and FILLED MOUTH with MANY EMISSIONS
…or: HEAD SLIDING and ROLLING, GASPING in SLURRY, MUCK ORIFICE with MANY EMISSIONS
…or: HEAD SLIDING and GASPING in RICE PADDY with MANY EMISSIONS
　

喜

キ,よろこ give and take pleasure in mutual gratification, to be fond of, glad, joy, rejoice, delight, enjoyment, soixante-neuf, oral pleasure sexual happiness

　SCREWING CLITORAL BEAN with MOUTH
…or: GETTING LUCKY in SPURTING STANCE with ORIFICE
…or: ERECTILE TISSUE and MOUTH, ORIFICE
…or: PENIS merged with CLITORIS and ORIFICE, MOUTH
　

Meanings of elements

OYSTER with SPURTING STANCE PERCOLATING, GUSHING HOT FLUIDS with ORIFICE, MOUTH
…or: FISH, FISHING, WET AND SLIPPERY MEAT and with GIVE AND TAKE PLEASURE IN MUTUAL GRATIFICATION, TO BE FOND OF, GLAD, JOY, REJOICE, DELIGHT, ENJOYMENT, SOIXANTE-NEUF, ORAL PLEASURE SEXUAL HAPPINESS

A plentiful species of white fish that inhabits the coastal waters of Japan, among other areas southward to the Philippines. The meaning suggested by scholars relates to the「mutual joy」people have in bringing this fish home for supper and eating it, rather than joy shared mutually among the anglers and the fishes (since the fishes do not survive, in most instances), however, the same might be said of catching and eating any fish, or any food at all for that matter…. This glyph is overtly suggestive of oral sexual activity but not among WHITINGS (the fish), although the behavior of these fishes has not been fully observed in modern times. Viewing an image of this fish provides the answer: the lower jaw protrudes significantly, and the entire mouth organ itself is proportionally very long and thin compared to the remainder of its body, giving it the appearance of a professional fellatrix at his or her best. The fish is relatively small, hence is normally eaten whole (head and all) in Japan, and without a doubt, the right glyph relates to the「joy of eating head」or「oyster-shaped labial flesh before mouth in stance of spurting array of emissions.」

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Japanese EDRDG: sillaginoid

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.