杇 to plaster, cover with thick paste, smear over a surface, slowly losing one's mind; loquat, biwa, sweet jams and jellies 朽,一,夸,丨,木,亏,

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杇

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On-yomi [ Toggle rōmaji ]

オ　･　ウ　･　コ
O　･　U　･　KO

Kun-yomi

こて　･　ぬ(る
ko　te　･　nu　ru

Glyph elements [ Toggle Font ]

朽

キュウ,く rot, decay, remain in seclusion, quarantined due to disease, to die in obscurity

　WOOD in EXTREME CONDITION of LONG STRESS
…or: WOODY with ROD in NO-LONGER-INTEGRATED FEET
　

一

イチ,イツ,ひと～ horizontal, array of items, reciprocating lateral motion, indicates width or extent, one segment, rod stalk or stem

　SIDE TO SIDE, BACK AND FORTH
　

夸

コ,カ,ほご exaggeration, boast, praised extravagance

　BOTH HANDS SPREAD, BIG, MANY and DEFICIENCY, NOT AT FULL POTENTIAL, DAMAGE, DEFICIT, FAIL, LONG TIME IN TENSION, FORTUNATELY AVOIDING WORSE CONDITIONS, LUCKILY DISCOVERING A SOLUTION
　

丨

コン,シ,ジョ,ニョ,すす,しりぞ vertical, reciprocating motion vertically, rod stalk or stem while vertical

　TOP TO BOTTOM, BOTTOM TO TOP, UP-DOWN
　

木

ボク,モク,き,こ～ wood, woody stalk, stem, wooden, a woody, tree, implanted, simple, simpleton, coffin, encased death, unfeeling, numb

　TWISTING a TAUT HEAD
…or: SCREWING EMISSIONS
…or: HAND on TAUT ROD
　

亏

× deficiency, not at full potential, damage, deficit, fail, long time in tension, fortunately avoiding worse conditions, luckily discovering a solution

　TWO BOUND FEET
…or: ROD with LONG TIME OF HIGH TENSION PAIN GASPS
…or: BOUND FOOT with CHANGING STATE
　

Meanings of elements

ROT, DECAY, REMAIN IN SECLUSION, QUARANTINED, TO DIE IN OBSCURITY with RECIPROCATING ROD MOTIONS
…or: ROD in TWO HANDS with EXAGGERATED CONDITION, BOASTING
…or: WOODY with DEFICIENCY, NOT AT FULL POTENTIAL, DAMAGE, DEFICIT, FAIL, LONG TIME IN TENSION, FORTUNATELY AVOIDING WORSE CONDITIONS, LUCKILY DISCOVERING A SOLUTION
…or: SCREWING EMISSIONS and LONG TIME OF HIGH TENSION PAIN AND GASPS

「One, rod, to a large extent」and「rotting in seclusion」depicts how a chronically lonely male may choose to kill time, by SMEARING PASTE and expelled jism all over his woody, also called WHITEWASHING as the froth dries.「Wood with damage, not at full potential but luckily finding a solution」「dirtied array of wood」or「woody with two no-longer-integrated feet」need no explanation as CAKED, PLASTERED WITH, THICKLY COATED, SMEARED WITH PASTE.
A LOQUAT has physical characteristics very similar to freshly ejaculated semen to a large extent and with one's mind rotting in seclusion, it may be eaten:
「The loquat has a high sugar, acid, and pectin content. It is eaten as a fresh fruit and mixes well with other fruits in fresh fruit salads or fruit cups. The fruits are also commonly used to make jam, jelly, and chutney, and are often served poached in light syrup. Firm, slightly immature fruits are best for making pies or tarts.」
[ https://en.wikipedia.org/wiki/Loquat 2013-07-31 ]

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: to plaster; whitewash
Japanese EDRDG: loquat
Unihan extended: loquat

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.