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  • Glyph.00205
  • Strokes: 07 ~ 06
  • elements


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Meanings of elements
HORIZONTAL, GUSHING CHUNKS or BEASTLY and PERSON SITTING MOST OF THE TIME
Depicting an animal, human or non-human, disgustingly fat, piggish, or obese perhaps due to sitting all the time,「horizontal, array of gushing from skin slit with suspended chunks, sitting often」as PIGGISH. Perhaps depicts large litters of piglets. Or depicting a sick male penis (see lower elements of as the original glyph) inside multiple service providers. A SWINE, PIG, BOAR, HOG, DUROC, RAZORBACK, HEDGEHOG, PORCUPINE, an animal well known for much tasty meat with a flavor and consistency quite similar to that of human meat, perhaps because the DNA of each species is so closely related—recall that pig hearts may be successfully transplanted into human beings often without tissue rejection, just as in dynastic China penises were successfully transplanted into the feet of human beings often without tissue rejection.
 Drawn formerly with the right element as a「sitting person with no-longer-integrated feet」perhaps because pigs lay around often when in domesticated captivity, or perhaps because the animal's cloven, divided-in-the-middle feet uncannily resemble the bound and no-longer-integrated feet of a concubine…or, because the original meaning referred to an OBESE CONCUBINE as an animal kept in a pen for serving into rectum, a habit of male swine that is well-known among their keepers. Recent font modernizations have begun to draw this element as「loose, demented, warped, flappy no-longer-integrated foot」instead of「sitting all the time with no-longer-integrated feet」that reduces the stroke count by one.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: hog; swine
Japanese: hog, wild boar, infant wild boar, pig, fat person
Unihan extended: a pig, boar
EDRDG: pig; hog; pig radical (no. 152)

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.



Japanese vocabulary: 5 entries


Chinese usage: 4 entries


Related glyphs [ Toggle font ]


  • Glyph.00205
  • Strokes: 07 ~ 06
  • elements

   


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This publication has included material from the MDBG free online English to Chinese dictionary files in accordance with the license provisions of the Creative Commons Attribution-ShareAlike 3.0 License.

This publication has included material from the JMdict (EDICT, etc.) dictionary files in accordance with the license provisions of the Electronic Dictionaries Research Group.

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