拆 to break up, split apart, rip open, to destroy; to burst open a flower bud, to bloom, to spread open loosely 折,丶,扑,ー,丿,扌,斥,

注意：このページには、一部の読者にとって不快または不適切な内容が含まれている可能性があります。
Note: This page may contain content that is offensive or inappropriate for some readers.

MingLiU:

Mincho:

Gothic:

拆

Login Welcome!　Introduction
Glyphs missing from your font set may appear strange, or not at all. We recommend enabling East Asian language support.

On-yomi [ Toggle rōmaji ]

タク　･　セキ
TA　KU　･　SE　KI

Kun-yomi

さく　･　ひらく
sa　ku　･　hi　ra　ku

Glyph elements [ Toggle Font ]

折

セツ,お,おり,～お change directions, turn a corner, perform a conversion, to break, endure no longer, yield, submit; the moment, incident, occasion, occurrence; to fold, to exit play; to rip off, strip off, to skin, to peel off, to flay, to debark

　TALENTED HAND USE and CAT-LIKE PAWING MOTIONS or with HATCHET, SUBTLY CRUEL
…or: HAND USE with a PRICK TEASER
　

丶

チュ,× emphasized part of a glyph

　[emphasis is HERE in a glyph]
　

扑

ボク,ハク,ホウ,フ,かるくう,むちう to throw oneself at; to pounce on; to devote one's energies; to flap, flutter; to dab; to pat, pound, beat, strike, to bend over forward; encouragement to "get on up" with reference to one's sex machine

　TALENTED USE OF BOTH OF ONE'S HANDS TO ACCOMPLISH A TASK with FLACCID, NOT REVIVING, DANGLING
　

ー

× HTML entity: ー repeated, bobbing

　REPEATED BOBBING
　

丿

ヘツ,えい,よう straight up erect, quick jerking movement, stretched taut

　ERECT, FLING
　

扌

シュ,× talented, using both of one's hands to accomplish a task

　TALENT
…or: USING BOTH HANDS
…or: ARRAY of STREAMS with SLIDING HEAD IN
　

斥

セキ,しりぞ to blame, reprove, reprimand, expel, reject, repel, to bar, oust, salty wetlands, saline marsh; to scout, spy out; axe handle

　ERECTION HEAD SLIDING DOWN
…or: ROD HEAD ERECTION FLACCID
…or: CAT-LIKE PAWING, SUBTLY CRUEL with emphasis on ROD DOWN
　

Meanings of elements

TO BREAK, ENDURE NO LONGER, YIELD, SUBMIT, THE MOMENT, RIP OFF, STRIP OFF, TO SKIN, TO PEEL OFF, TO FLAY, TO DEBARK and THIS IS THE POINT, THIS SPOT RIGHT HERE on ROD
…or: THROW ONESELF AT, TO POUNCE ON, TO FLAP, FLUTTER, POUND, BEAT, STRIKE, BEND OVER FORWARD with REPEATED HEAD BOBBING with STIFF ERECTION
…or: TALENTED USING BOTH OF ONE'S HANDS TO ACCOMPLISH A TASK with BLAME, REPROVE, REPRIMAND, WETLANDS

Elements seem to depict someone unable to endure physical status as a female virgin any longer. Japanese pronunciations refer to finally BURSTING OPEN a budding flower, i.e., a deflowering as it were in human terms, SPLITTING APART by OPENING and SPREADING WIDE to reveal fluted tissues within, a BLOOMING bloomer who finally attains full maturity, at least physically, with the use of「talented hands」and/or「bobbing on an erection」or by whatever means necessary (a once-in-a-lifetime event that may or may not have been her choice at the moment, for that matter).

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: to tear open; to tear down; to tear apart; to open
Japanese EDRDG: to split apart, to break up, to open
Unihan extended: to break up, split apart, rip open; to destroy

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.