柎 bud, budding, a buddy, calyx of flower, outer envelope that protects the developing sexual parts within an unopened flower; a raft of logs 村,亻,休,寸,木,付,

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MingLiU:

Mincho:

Gothic:

柎

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On-yomi [ Toggle rōmaji ]

フ
FU

Kun-yomi

うてな
u　te　na

Glyph elements [ Toggle Font ]

村

ソン,むら village, hamlet, rustic, small town within a city; uncouth, vulgar, wooden dildo, a jerk, wank

　TREE(S) with FEEL OF SQUEEZING GRIP
…or: WOODY with FEEL OF FLUIDS PUMPING, SQUEEZING GRIP
…or: ONE-INCH WOODY
…or: WOODY with emphasis on ROD STREAMING
…or: WOOD and APPROXIMATELY AN INCH (IN DIAMETER)
　

亻

× person (male generally), rod head, head on rod

　THE HEAD OF AN ANIMAL OR PERSON and VERTICAL, RECIPROCATING MOTION, ONE'S ROD, STALK OR STEM
　

休

キュウ,やす to rest, resting, temporarily cease doing something, vacation, holiday, recess, suspend, idle, not working, dormant, Don't do that!

　WHAT? SCREWING TOOL LIKE TEN MEN with EMISSIONS DOWNWARD SPLASHING
…or: PERSON SPURTING SOME SORT OF EMISSION and FULL SCREWING
…or: RECIPROCATING MOTION OF ROD HEAD SLIDING and EMISSIONS with WOODY STEM
　

寸

スン,× squeezing grip, feeling the flow of fluids pumping, firmly holding above the elbow while measuring someone's throbbing heartbeat or pulse, ancient unit of measure (approximately an inch, 2.5 cm), careful hand

　ROD with STREAM and DRIP
　

木

ボク,モク,き,こ～ wood, woody stalk, stem, wooden, a woody, tree, implanted, simple, simpleton, coffin, encased death, unfeeling, numb

　TWISTING a TAUT HEAD
…or: SCREWING EMISSIONS
…or: HAND on TAUT ROD
　

付

フ,つ,～つ,～づ,～づけ,～つき,～づき hand over to; make a payment; adhere, attach; person squeezing something in a grip

　PERSON with SQUEEZING GRIP
…or: SLIDING ROD HEAD with FEEL OF FLUIDS PUMPING
　

Meanings of elements

WOOD, TREE and ATTACHED, ADHERING TO
…or: WOODY SCREWING EMISSIONS with PERSON'S ROD HEAD and SQUEEZING GRIP, FEEL OF FLUIDS PUMPING
…or: PERSON in the VILLAGE
…or: IDLE, RESTING with SQUEEZING GRIP
…or: WOOD with PERSON and FEEL OF FLUIDS

「Plant, emerging shaft」with「attachment」: a CALYX is comprised of the sepals of a flower collectively, forming an outer envelope that protects the developing BUD within, a part of the unopened flower that appears much like a「woody in person's squeezing grip」when viewed whilst looking down at one's hand in that literal case, often behaviour noticeable in adolescent males pertaining to BUDDING manhood. Referent as one's BUDDY needs no further explanation, nor does「person squeezing wood」or「idle, resting with a squeezing grip」as it refers to an emerging bud from within a sheath.
「Among all living organisms, flowers, which are the reproductive structures of angiosperms, are the most varied physically and show a correspondingly great diversity in methods of reproduction.」
[ https://en.wikipedia.org/wiki/Plant_reproductive_morphology#cite_note-Barr02-1 2018-03-05 ]
「Wood attached」forms a RAFT, moved hand over hand by pushing a pole along the bottom of a river or by attaching itself to the flow of the current. BUDDIES also may form a group of wood shafts bound to one another.
Describes where the「wood adheres, attaches」or the「wood of person in squeezing grip」of a FLOWER, the euphemism for concubines and harem members, as in the English word「deflower」to describe the initial sexual experience of a virgin: CALYX forming an outer envelope [HYMEN] that protects the developing sexual parts of the unopened flower within. The RAFT OF LOGS in this sense are all the woodies lined up to get wet, and「wood with person and feel of fluids, trees attached with person」clearly describes floating on a RAFT.

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: calyx of flower
Japanese EDRDG: raft, calyx
Unihan extended: calyx of flower; railing raft

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.