奕 graceful, abundant; in sequence, orderly; indecisive, frozen with fear, piled high 亦,大,

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MingLiU:

Mincho:

Gothic:

奕

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On-yomi [ Toggle rōmaji ]

エキ　･　ヤク
E　KI　･　YA　KU

Glyph elements [ Toggle Font ]

亦

エキ,ヤク,また again and again, still doing, likewise, over and over; liquids, juices, sap, fluids, extreme dripping, flowing down; crotch entanglements due to sexual relations, complicated

　PALMING CONTROL OF HEAD EMISSIONS with STRAIGHT UP STIFF ERECTION and STREAMING FLUID
…or: emphasis on MALE ADULT BLASTING DISCHARGE FROM A BARREL VIGOROUS FLAMING with ERECTION and EMISSIONS
　

大

ダイ,タイ,おお～,～おお relatively big condition; two-handed both hands

　ROD TAUT and ERECT
…or: HAND TAUT
…or: HAND with marker for other hand, too
…or: ROD of MALE ADULT
　

Meanings of elements

AGAIN AND AGAIN with TWO HANDS
…or: COMPLICATED ENTANGLEMENT and ONE HAND ON EACH SIDE

Playing GO (or, IGO) requires the orderly placement of black and white 'stones' using one hand by each player in a complicated entanglement of various flowing patterns, sometimes causing some indecision and fear of death (of the playing pieces, not the players, generally). Each side piles the stones in a bowl until placed on the playing board one at a time sequentially. Graceful movements are essential, since inadvertently dropping a stone onto the board tends to mess up the game due to unintended random rearrangement of the stones already in place. The total playing pieces are abundant, with the board having 361 possible points on which to place a stone. IGO has been suggested as the epitome of game-playing, requiring brilliance and shining intelligence while creating beautiful patterns due to the extreme simplicity of the rules. Actually however, the black pieces were fashioned from granite, but the white were carved from large sea shells, not stone (囲碁, baduk, weiqi. 'GO' is a generic name for a class of various games using these same items).

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: abundant; graceful
Japanese EDRDG: large
Unihan extended: in sequence, orderly; abundant

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.