咮 beak of bird, to peck at, one's pecker, pecked bloody, henpecked, bloody pecker 味,ノ,𠂉,木,牛,ハ,吽,口,朱,

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MingLiU:

Mincho:

Gothic:

咮

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On-yomi [ Toggle rōmaji ]

トウ　･　ツ　･　チュウ　･　シュウ
TO　U　･　TSU　･　CHU　U　･　SHU　U

Kun-yomi

くちばし
ku　chi　ba　shi

Glyph elements [ Toggle Font ]

味

ミ,あじ scent, smell, taste, flavor; feels strange but pleasantly different; inevitable, must try; delicious, relish, appreciate, cleverness, skill, smart, witty; profitable, valuable, worthy, worth the effort, significant, virtuous and praiseworthy

　ORIFICE and EWE LAMB
…or: an ORIFICE of the IMMATURE
…or: MOUTH and STILL THERE
…or: ORIFICE but NOT YET
　

ノ

× HTML entity: ノ head, sliding down, declining, dammed flow

　HEAD SLIDING DOWN
　

𠂉

× HTML entity: 𠂉 prostrated, prone, supine, laid out flat

　THE HEAD with BOUGIE INSERTED
…or: HEAD and HORIZONTAL
　

木

ボク,モク,き,こ～ wood, woody stalk, stem, wooden, a woody, tree, implanted, simple, simpleton, coffin, encased death, unfeeling, numb

　TWISTING a TAUT HEAD
…or: SCREWING EMISSIONS
…or: HAND on TAUT ROD
　

牛

ギュウ,うし cattle, herd meat asset, animal husbandry, beef meat, important thing, a cash cow, female animals providing milk and meat, animals as a store of future value and medium of exchange

　HEAD with TALENT
…or: HEAD on ROD VERTICAL TWICE
…or: HEAD with TWO HANDS
…or: PRONE and SCREWING
…or: ROD with HORSE
　

ハ

× HTML entity: ハ emit downward

　EMISSIONS, EMIT DROPS
…or: HEAD TAUT
　

吽

コウ,ウン,イン,オン,グ,ほえ Buddhist incantation; to bellow; dull, stupid; roar and howling of animal, roar and howl of rage; herd animals fighting

　ORIFICE of an IMPORTANT THING
…or: MOUTH and CATTLE
　

口

コウ,ク,くち orifice, mouth, cavity or passage of the body; an opening, aperture, vent

　ORIFICE
　

朱

シュ,あけ heavy reddish-brown paste, cinnabar, vermilion, mercuric sulfide, HgS, bloody red, crimson, scarlet; post-deflowering flow of thick reddish-orange

　EMISSIONS with CHATTEL, HERD MEAT ASSET
…or: PROSTRATE with WOODY
…or: HEAD SLIDING with IMMATURITY
…or: HEAD SLIDING with EWE LAMB
…or: PRONE WOOD
…or: ROD HEAD SLIDING in RECIPROCAL MOTIONS with SCREWING EMISSIONS
　

Meanings of elements

HEAD DECLINING to TASTE
…or: ROD HEAD SLIDING in IMMATURE ORIFICE
…or: ORIFICE, MOUTH and DEFLOWERING, SCARLET
…or: MOUTH with PROSTRATE WOODY
…or: HEAD DECLINING SLIDING DOWN with DISTINCTIVE SMELL
…or: ORIFICE of HEARD MEAT ASSET with EMISSIONS DOWN
…or: INCANTATION BELLOWING, STUPID, ROAR AND HOWLING, HERD ANIMAL BATTLING with EMISSIONS

Contributing source of the English「pecker」used as a reference to a male human penis, one's flipping bird as it were, a bloody stump pecked or bitten until bloody, and so on.「Orifice for deflowering, emissions with one's herd meat asset, chattel」suggesting that entry is not accomplished without some pecking at the orifice due to its small size and/or virginal quality as the elements depict:「orifice with deflowering, reddish-brown gooey paste.」

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: beak of bird; peck at
Japanese EDRDG: beak
Unihan extended: a beak; to peck

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.