粃 blighted, withered stalk, empty husk, hollow object, immature seed, unripe 丷,枇,米,比,

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MingLiU:

Mincho:

Gothic:

粃

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On-yomi [ Toggle rōmaji ]

ヒ
HI

Kun-yomi

しな　･　しいな
shi　na　･　shi　i　na

Glyph elements [ Toggle Font ]

丷

× emit upward

　EMISSIONS, EMIT DROPS
　

枇

ビ,ヒ,× loquat; scoop for fluids, wood with several service providers, spoon

　PLANT, TREE, WOODY and CONCUBINES
…or: WOOD with HAND GESTURES, HANDS IN STROKING MOTIONS, HAND STROKING OF SHAFTS
　

米

ベイ,マイ,メエトル,こめ,よね sticky blob or splat, many seeds in one place, grainy, puckered, flaming, rice

　EMIT IN ALL DIRECTIONS with SCREWING
…or: EMISSIONS SPURTING UP from WOODY
…or: ARRAY of items, ROD with STICKY FLUID EMISSIONS
…or: RODS in all directions DRIPPING on all sides
　

比

ヒ,くら comparison, to compare, to rate, to be near or close to, almost the same but with some differences, a peer, a contest or competition to decide the top choice; hand gestures, motions with hands stroking, time period and billing occurrence, in proportion to [time, ability, class level, etc.]

　two PERSONS SITTING
…or: ROD RAISED with HEAD SLIDING IN a SERVICE PROVIDER
…or: RAISED LEG with ROD of SITTING PERSON, DIVA
…or: CONCUBINE with another CONCUBINE
　

Meanings of elements

EMIT UPWARD SPURTING with SCOOP FOR FLUIDS, WOOD WITH SEVERAL SERVICE PROVIDERS
…or: STICKY BLOB OR SPLAT, PUCKERED, FLAMING, MANY SEEDS IN ONE PLACE, RICE GRAINS and COMPARISON, TO COMPARE, TO RATE, BE NEAR OR CLOSE TO, CONTEST OR COMPETITION TO DECIDE THE TOP CHOICE, IN PROPORTION TO TIME PERIODS OR OCCURRENCES
…or: RICE GRAINS, STICKY WAD and IMMATURE PREPUBESCENT LAME GIRL COMPARISONS

「Sticky blobs of seed with multiple service providers」: an EMPTY HUSK is one that once may have been relatively full, but has discharged all its contents and become flaccid and empty, or, by the contents being emptied by some means (eaten by vermin, for an example). In agriculture, empty husks were infertile, blighted, immature or unripe, as were no-longer-integrated feet sets (a deliberate characteristic in those cases)…BLIGHTED as in being infected with bacteria, fungi, or viruses that result in blight that infected the seed shafts, perhaps as a result of being with multiple young service providers. Grain, sticky wad with immature girls, comparison to no fertile meat inside, but harvested anyway (perhaps in error). Husks and pods (…doesn't pod also mean foot?) resemble the folded skin slits in the bound and no-longer-integrated soles of the feet of concubines and service providers, as well as blighted corn resembling infected woodies.

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: variant of 秕
Japanese EDRDG: empty grain husk
Unihan extended: empty husks of grain

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.