梃 a club as one's tool or weapon, a lever, leverage, long rod used with fulcrum for applying pressure, straight stalk 杜,ー,廴,ㄅ,乀,壬,ー,ノ,士,木,廷,

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梃

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On-yomi [ Toggle rōmaji ]

チョウ　･　テイ
CHO　U　･　TE　I

Kun-yomi

てこ　･　つえ
te　ko　･　tsu　e

Glyph elements [ Toggle Font ]

杜

ト,トウ,ズ,もり,ふさ,やまなし forest; shrine grove; restricted use, stop, prevent; birch-leaf pear tree

　TREE and GROUND, SOIL
…or: WOODY with NIGHT SOIL
　

ー

× HTML entity: ー repeated, bobbing

　REPEATED BOBBING
　

廴

イン,× foot shuffling, foot dragging, dragging motion, foot motions, motion of feet, something in motion, taking steps

　two NO-LONGER-INTEGRATED FEET in TENSION, TAUT
…or: (doubled) POSSESSIVE, MINE, OWNERSHIP
…or: TENSION TAUT, BRACED, LEASHED
　

ㄅ

× tension gasping taut spring-like action, unbound busted foot of dynastic China, painful stress

　ELASTIC POTENTIAL STRAIN ENERGY, FLEXIBLY BENDED AND SPRINGY, FLECTURE TENSION
　

乀

フツ,ブチ,ま stretched taut; leashed under control of another; the other side (of something)

　STRETCHED TAUT
　

壬

ニン,ジン,イ,みずのえ spindle, bougie, reaming tool, to tolerate, cause of bearing great pain, a burden; pregnant; fat noble person

　REPEATED with PENIS
…or: HORIZONTAL RECIPROCATING MOTION with PENIS
…or: ARRAY of PENIS
…or: HEAD SLIDING PENIS
　

ー

× HTML entity: ー repeated, bobbing

　REPEATED BOBBING
　

ノ

× HTML entity: ノ head, sliding down, declining, dammed flow

　HEAD SLIDING DOWN
　

士

シ,さむらい penis, engorged male peaking genital-man

　SCREWING with ROD
…or: ROD UP and ARRAYED
…or: ARRAY of SCREWING
　

木

ボク,モク,き,こ～ wood, woody stalk, stem, wooden, a woody, tree, implanted, simple, simpleton, coffin, encased death, unfeeling, numb

　TWISTING a TAUT HEAD
…or: SCREWING EMISSIONS
…or: HAND on TAUT ROD
　

廷

テイ,× palace court, outdoor courtyard, imperial high court, court of law, harem

　two TAUT BOUND NO-LONGER-INTEGRATED FEET, FOOT SHUFFLING, FOOT DRAGGING with ROYALS
…or: SHUFFLING MOTION SLIDING LAZILY and REPEATED HEAD BOBBING with PENIS, ENGORGED MAN
…or: SHUFFLING FEET of FAT PERSON(S)
…or: DRAGGING MOTIONS of BOUGIE REAMING TOOL, TO TOLERATE, CAUSE OF BEARING GREAT PAIN, A BURDEN
　

Meanings of elements

RESTRICTED USE with REPEATED HEAD BOBBING and FOOT SHUFFLING, DRAGGING FOOT MOTIONS
…or: SHUFFLING MOTIONS with WOODY and SPINDLE, BOUGIE, REAMING TOOL, TO TOLERATE, CAUSE OF BEARING GREAT PAIN, A BURDEN
…or: WOODY STALK of IMPERIAL HIGH COURT, COURT OF LAW
…or: WOODY with NO-LONGER-INTEGRATED TAUT FEET and ROYAL COURT MEMBER

「Wood in motion by royals, court」…one way or the other, someone is being shafted or CLUBBED. Reference to a LEVER as leverage. Think about which is more likely: would royals be wielding a CLUB as weapons in the「palace court」or, as a「woody in harem」used as a tool or lever to open something?「woody with shuffling motions and member of the royal court.」Japanese pronunciation includes the meaning of CANE, CANING.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: a club (weapon)
Japanese: counter for long and narrow things such as guns, scissors, spades, hoes, inksticks, palanquins, candles, jinrikishas, shamisen, oars, etc., lever
Unihan extended: a club; a stalk; straight
EDRDG: lever

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.