淅 sound similar to falling rain or sleet, sound similar to washing rice, sound of lubricious self-stimulation, sound of lubricious stimulation of a friend 汏,丨,沐,斤,沂,木,氵,析,

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MingLiU:

Mincho:

Gothic:

淅

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On-yomi [ Toggle rōmaji ]

セキ
SE　KI

Glyph elements [ Toggle Font ]

汏

タイ,ダイ,タツ,タチ,あら rubbing and scrubbing actions, washing by hand

　FLUIDS and TWO-HANDED
　

丨

コン,シ,ジョ,ニョ,すす,しりぞ vertical, reciprocating motion vertically, rod stalk or stem while vertical

　TOP TO BOTTOM, BOTTOM TO TOP, UP-DOWN
　

沐

モク,もく,あら bathe, cleanse, wash; to receive, to be given, to have conferred upon

　ROD in WASHING BY HAND
…or: FLUIDS with STALK, STEM, WOODY
　

斤

キン,× subtly cruel or malicious, prick-teasing, spiteful; cat-like behavior, pawing and scratching; hatchet, hand axe, hand held in shape of a hatchet in motion; unit of weight (approximately 500-600 grams)

　REPEATED HEAD BOBBING UP AND DOWN CONTINUOUSLY and STIFF ERECTION, QUICK MOVEMENT IN ANY DIRECTION and DOWN, ROD DOWN
　

沂

ギ,キ,ギン,× pre-ejaculate, lubricious; fluids from scratching skin; thick fluid, clear flowing

　FLUID and PRICK-TEASING, SUBTLY CRUEL OR MALICIOUS, SPITEFUL, CAT-LIKE BEHAVIOR, PAWING AND SCRATCHING, HATCHET
　

木

ボク,モク,き,こ～ wood, woody stalk, stem, wooden, a woody, tree, implanted, simple, simpleton, coffin, encased death, unfeeling, numb

　TWISTING a TAUT HEAD
…or: SCREWING EMISSIONS
…or: HAND on TAUT ROD
　

氵

×,さんずい fluidity, fluid

　emphasis on MANY DRIPS, DRIPPING, COOLING PROCESS
…or: MANY TIMES DROPS
　

析

セキ,× divide, analyze, separate; to split wood, castration using a hatchet, to chop off, to chop meat into small pieces, to mince, mincemeat

　WOOD, WOODY and CHOPPED, CAT-LIKE, SUBTLY CRUEL
…or: WOODY with PRICK-TEASING
　

Meanings of elements

WASH and PAWING MOTIONS
…or: FLUID and DIVIDE, ANALYZE, SEPARATE
…or: RUBBING AND SCRUBBING ACTIONS, WASHING BY HAND with RECIPROCATING ROD MOTIONS and with PRICK-TEASING, CAT-LIKE PAWING AND SCRATCHING
…or: RECEIVE, BE GIVEN, HAVE CONFERRED UPON with PUSSY BEHAVIOR PAWING AND SCRATCHING, HAND HELD IN SHAPE OF A HATCHET IN MOTION
…or: PRE-EJACULATE, LUBRICIOUS, FLUIDS FROM SCRATCHING SKIN, THICK FLUID, CLEAR with WOODY
…or: FLUID with SEPARATE, TO MINCE MEAT

「Flow fluid and analyze, separate」: rice is washed to sort out small pebbles that sink or other impurities that often float, or become apparent while washing in a seine or fine basket, causing a series of swishing sounds as the rice is stirred and sounding like waves of sleet or rain with「short pawing and scratching motions.」「Woody in lubricious pre-ejaculate Cowper's fluid」also generates a similar sound while stroking, it seems. Vigorous hand rubbing of a region of pubic hairs, such as that which surrounds the vulva and clitoral hood, also generates this sound particularly after becoming saturated with Bartholin's fluids over the course of a prolonged time.

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: (onom.) sound of rain, sleet etc
Japanese EDRDG: wash rice
Unihan extended: water used wash rice; to wash rice

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.