揩 rub; wipe until fully cleaned 批,指,′,匕,拍,扌,比,白,皆,

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MingLiU:

Mincho:

Gothic:

揩

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On-yomi [ Toggle rōmaji ]

カイ　･　カツ
KA　I　･　KA　TSU

Kun-yomi

ぬぐ(う
nu　gu　u

Glyph elements [ Toggle Font ]

批

ヒ,× criticize, critique; to ascertain; to act upon a decision; to purchase items wholesale in bulk batches, lots, clusters, bunches

　PULL UP, JERK UP AND DOWN, STRUGGLE UNTIL FREE, SOMETHING COVERED BY A WHITE FOAMY HEAD, PIERCE, PRICK PENETRATION, CLASSIFIER FOR FLOWERS AND BANKNOTE MONEY with RECIPROCATING LATERAL ROD MOTION, INDICATES EXTENT, ONE SEGMENT with PERSON SITTING, DEVICE FOR SCOOPING FLUIDS, PERSON GATHERING FLUIDS FOR A BRIEF TIME, SEXUAL SERVICES PROVIDER, RAISED LEG
…or: TALENTED USING BOTH OF ONE'S HANDS TO ACCOMPLISH A TASK with MOTIONS OF HANDS STROKING, COMPARISON, TO COMPARE, TO RATE, BE NEAR OR CLOSE TO, ALMOST THE SAME BUT WITH SOME DIFFERENCES, A PEER, A CONTEST OR COMPETITION TO DECIDE THE TOP CHOICE, TIME PERIOD AND BILLING OCCURRENCE, IN PROPORTION TO TIME ABILITY CLASS LEVEL
　

指

シ,ゆび,さ,～さ point to, indicate, to finger, finger (including the thumb); extended finger(s), to stand fully extended, digitally talented

　SEXUAL SERVICES PROVIDER with ROD-LIKE HAND ITEM in ORIFICE and SECURED BY RESTRAINT, TRUMPING A PUSSY
…or: REPEATEDLY BOBBING, HEAD SLIDING and JERKING UP AND DOWN, STRUGGLE UNTIL FREELY COVERED BY A WHITE FOAMY HEAD, PRICK in RECIPROCATING ROD MOTIONS with HAVING A REASON TO DO SOMETHING, EXCUSE GIVEN TO HIDE THE TRUE REASON FOR SOMETHING
…or: TALENT USING HANDS and FUNDAMENTAL PURPOSE, MEANING FOR BEING, SKILLFUL, CLEVER
…or: TALENTED USING HANDS to RELISH FLAVOR, TASTE DELICIOUS APPETIZING, THE CREAM
…or: SEXUAL SERVICES PROVIDER and USING HANDS with TONGUE IN MOUTH, HAVING A REASON, A PRETEXT, EXCUSE GIVEN TO HIDE THE TRUE REASON FOR DOING SOMETHING
　

′

匕

ヒ,さじ must remain sitting most of the time, device for scooping fluids, used for piercing or stabbing into

　REPEATED, BOBBING HEAD with PENIS
…or: PREPUBESCENT GIRL merged with PENIS
…or: ARRAYED for PENIS
　

拍

ハク,ヒョウ,× clapping, rhythm, rhythmic beating, slapping, swatting

　KNOCKING ARRAY with emphasis
…or: BUCKLING UP, SECURE BY RESTRAINT with ARRAY and emphasis on orifice
…or: TALENT, HAND USE and WHITE, CONSPICUOUS, OPEN-MOUTHED, STARING IN A STUPOR
　

扌

シュ,× talented, using both of one's hands to accomplish a task

　TALENT
…or: USING BOTH HANDS
…or: ARRAY of STREAMS with SLIDING HEAD IN
　

比

ヒ,くら comparison, to compare, to rate, to be near or close to, almost the same but with some differences, a peer, a contest or competition to decide the top choice; hand gestures, motions with hands stroking, time period and billing occurrence, in proportion to [time, ability, class level, etc.]

　two PERSONS SITTING
…or: ROD RAISED with HEAD SLIDING IN a SERVICE PROVIDER
…or: RAISED LEG with ROD of SITTING PERSON, DIVA
…or: CONCUBINE with another CONCUBINE
　

白

ハク,ビャク,しろ,しら～ open-mouthed, conspicuous, white, blank, empty, staring in a stupor, to make clear, inspection

　emphasis marker above TONGUE IN MOUTH
…or: emphasis marker above ROD in MOUTH
　

皆

カイ,みな,みんな everyone; all, in all cases

　HANDS IN STROKING MOTIONS with OPEN-MOUTHED CONSPICUOUSLY WHITE, BLANK EMPTY STARING IN A STUPOR, TO MAKE CLEAR, INSPECTION
…or: HANDS STROKING SHAFT with emphasis on HAVING A REASON TO DO SOMETHING, PRETENDING, A PRETEXT, EXCUSE GIVEN TO HIDE THE TRUE REASON FOR SOMETHING
…or: CONCUBINES with OPEN TONGUING MOUTH
…or: SITTING OPEN-MOUTHED in STUPOR
…or: ALMOST THE SAME COMPARED and VAPID
…or: CONTEST OR COMPETITION TO DECIDE THE TOP CHOICE with HANDS STROKING SHAFTS
　

Meanings of elements

CRITICIZE, CRITIQUE and CONSPICUOUS, WHITE, BLANK, EMPTY, STARING IN A STUPOR
…or: POINT TO, INDICATE, TO FINGER and PERSON WHO MUST REMAIN SITTING MOST OF THE TIME with emphasis on TONGUING MOUTH
…or: CLAPPING, RHYTHMIC BEATING SLAPPING SWATTING and ALMOST THE SAME BUT WITH SOME DIFFERENCES
…or: TALENTED USING BOTH OF ONE'S HANDS TO ACCOMPLISH A TASK and IN PROPORTION TO with WHITENESS
…or: TALENTED USING BOTH OF ONE'S HANDS and EVERYONE, ALL, IN ALL CASES

Likely suggesting that after「everyone, in all cases」after every client without exception, the rule was for service providers (top-right elements) to WIPE UNTIL CLEAN prior to engaging the next client, attempting to leave no visible trace.「Point finger with emphasis on orifice of service provider」to indicate that the previous client has left a deposit which required WIPING UNTIL FULLY CLEANED prior to greeting the next client. WIPING UNTIL CLEAN after「everyone, in all cases and comparing the white stuff for conspicuous traces」that may indicate an infection, prompting immediate remedial countermeasures and perhaps internally blacklisting the client, or, notifying the gatekeeping authorities by 'pointing the finger' at someone who ought to be quarantined. Note that in Japan, it is considered quite rude to point a finger at anyone today for any reason at all, but especially when indicating evidence of a sexually transmitted disease even if warranted.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: to wipe
Unihan extended: rub and wipe, dust, clean
EDRDG: wipe

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.