葴 bladder cherry, Chinese lantern, Japanese lantern 荗,茂,一,口,戍,戌,丿,弋,戈,戊,卝,艹,咸,

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MingLiU:

Mincho:

Gothic:

葴

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On-yomi [ Toggle rōmaji ]

シン　･　カン　･　ケン
SHI　N　･　KA　N　･　KE　N

Kun-yomi

やまあい
ya　ma　a　i

Glyph elements [ Toggle Font ]

荗

ショク,ジキ,× following one's natural instincts, self-explanatory, intuitively obvious, woulda' coulda' shoulda' known that, the way it is; behaving as might a dog (male canid), urinating indiscriminately, clustering in packs, licking testicles, always fighting for position, having an interest in anuses, sticking [it] up for one's buddy; curcuma longa, turmeric

　RUNNING RAMPANT with emphasis on ERECTION
…or: EMERGING SHAFTS of WILD DOG PACK, GARRISON OF SOLDIERS, OBEY AND FOLLOW ORDERS, PROTECT THE PACK
　

茂

モ,しげ luxuriant, overgrown, densely clustered, talented, running rampant

　EMERGING SHAFTS and ERECTION with WILD DOGS or FIFTH OF A SEQUENCE, PIKE, LANCE
　

一

イチ,イツ,ひと～ horizontal, array of items, reciprocating lateral motion, indicates width or extent, one segment, rod stalk or stem

　SIDE TO SIDE, BACK AND FORTH
　

口

コウ,ク,くち orifice, mouth, cavity or passage of the body; an opening, aperture, vent

　ORIFICE
　

戍

ジュ,シュ,まもり wild dog pack; garrison of soldiers; protection; obey, follow

　WILD DOG QUICK MOVEMENT IN ANY DIRECTION with marker
…or: WAGGING ONE'S DOG ERECT with emphasis markers
　

戌

ジュツ,いぬ wild dog, the dog

　ROD of WILD DOG
…or: ONE WILD DOG
…or: WILD DOG with QUICK MOVEMENTS IN ANY DIRECTION
…or: STIFF PENIS HIDDEN CONCEALED with HEAD SLIDING and STRAIGHT ERECTION in WOODY STAKE TAPERED DRIVING, SHOOTING DISCHARGE, WAGGING ONE'S BACULUM and ROD
　

丿

ヘツ,えい,よう straight up erect, quick jerking movement, stretched taut

　ERECT, FLING
　

弋

⺕ク,いぐるみ wooden stake, tapered wood, driving into soil or flesh; shooting, discharge of a dart, use of an arrow or dirk, to shoot one's arrow; wild dog, undomesticated, modern Homo sapiens male; a device for snaring flying birds by attaching a long stringy net to an arrow and discharging

　marker with REPEATEDLY BOBBING TAIL, PENIS
　

戈

カ,ほこ,ほこづくり swinging lance, spear, pike, halberd, long-handled blade as a weapon; dagger-axe, wagging one's baculum

　WOODEN STAKE, SHOOTING, TAPERED WOOD FOR DRIVING INTO SOIL and THE HEAD, SLIDING DOWN
　

戊

ボ,ボウ,つちのえ five, fifth of a sequence; halberd, broad-bladed lance, pike, battle axe

　HAND with HEAD SLIDING and EMPHASIS on STINGER
…or: ERECTION with HEAD SLIDING and WOODY STAKE DRIVING INTO SOIL, SHOOTING DISCHARGE OF ARROW OR DIRK, WILD DOG, UNDOMESTICATED MALE
…or: STRAIGHT UP ERECT, STRETCHED TAUT with SWINGING LONG-HANDLED WEAPON, WAGGING BACULUM
　

卝

× hair-raising, prepubescent, young virgin girl, diva, divine, cresting head, conditions when one's rod is raised, deep shaft

　RAISED ON EACH SIDE OF A YOUNG GIRL'S HEAD
…or: RAISED HEAD on each side
…or: SHAFTS EMERGING, RODS RAISED on both sides
…or: DIVINE front and back
　

艹

カン,あげまき,あらがね,くさかんむり fucking, emerging shafts, stalks, stems, shoots

　PLANTS, VEGETATION, FLOWERS, EMERGING SHAFTS, BUDDY SYSTEM
…or: ERECTION and ROD within CAVITIES
…or: EMERGE with STALKS, STEMS
…or: TWENTY, MULTIPLE SCREWINGS, PENETRATING SHAFTS, ARRAY OF RODS
…or: HAIR-RAISING PREPUBESCENT YOUNG VIRGIN DIVA
…or: DIVINE, CRESTING HEAD CONDITIONS WHEN ONE'S ROD IS RAISED
…or: DEEP SHAFT
…or: multiple FILLED COMPLETELY PERFECTLY FULL SCREWINGS, ROTATIONS, TWISTINGS, TURNINGS, NEEDLES, TENS
　

咸

カン,ゲン,× stinging sensation, salty, widespread, same feeling among all; miserly

　ERECTION and PUNCTURING PENETRATION with ORIFICE, MOUTH
…or: FIFTH OF A SEQUENCE with ONE and ORIFICE(S), MOUTH, CAVITIES OR PASSAGES OF THE BODY
　

Meanings of elements

LUXURIANT, OVERGROWN, DENSELY CLUSTERED and ARRAY OF ORIFICE
…or: FOLLOWING ONE'S INSTINCTS with ORIFICE
…or: EMERGING SHAFTS, STALKS, STEMS and STINGING SENSATION, SALTY, WIDESPREAD, SAME FEELING AMONG ALL

ASIAN LANTERNS having the exterior shape of a bladder cherry are still used today during carnivals, neighborhood street meat festivals, and so on. Japanese pronunciation means「meet at the street festival float.」
A plant, the BLADDER CHERRY, bearing fruit covered with red or red-orange paper-like material (that budding 'flower calyx') and have the general shape of large cherries, resembling types of paper LANTERNS used in Asia. Plants are aggressively invasive and spread widely and rampantly, quickly and fatally overwhelming other vegetation in most any area, or in other words, the plants propagate and spread at rates similar to youths desirous of popping their cherry (as with the English idiom), and to sexually transmitted infections. Needless to point out perhaps, but the dried paper-like skins covering the fruit also have the shape and texture of a withering penis tip and/or a crumpled hymen. Flavor of the inner fruit varies widely by cultivar but is edible, generally a「stinging」flavor of tartness. The calyx and the leaves are toxic, naturally.

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: Physalis alkekengi

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.