楨 evergreen shrub; hardwood, supports, posts, wooden shafts that provide support 相,梖,⺊,ハ,木,貞,

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MingLiU:

Mincho:

Gothic:

楨

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On-yomi [ Toggle rōmaji ]

テイ　･　チョウ
TE　I　･　CHO　U

Kun-yomi

ねずみもち
ne　zu　mi　mo　chi

Glyph elements [ Toggle Font ]

相

ソウ,ショウ,あい～ doing something together, each other, both or all sides, mutually; government minister; aspect, phase, physical appearance or description, observation (of something or someone)

　WOODY and EYES, the GOAL
　

梖

ハイ,バイ,× palm of a hand, palm (plant)

　WATCHING FOR SOMETHING TO CHANGE, WAITING FOR ILLNESS SYMPTOMS TO APPEAR, GENITAL INSPECTION, HOMOSEXUAL MALES ENCOUNTERING ONE ANOTHER with EMISSIONS
…or: DOING SOMETHING TOGETHER, MUTUALLY, OBSERVATION with EMISSIONS
…or: TREE, WOOD, PLANT, WOODY STALK with WEALTH, MONEY, VALUABLE
…or: WOODY with GOAL OF EMISSION
…or: VALUABLE with WOODY
　

⺊

× HTML entity: ⺊ hair-raising, prepubescent young girl, divine, cresting head, conditions when one's rod is raised

　UPRIGHT REPEATED BOBBING HEAD
…or: UPRIGHT with HORIZONTAL MOTION, ARRAYED
　

ハ

× HTML entity: ハ emit downward

　EMISSIONS, EMIT DROPS
…or: HEAD TAUT
　

木

ボク,モク,き,こ～ wood, woody stalk, stem, wooden, a woody, tree, implanted, simple, simpleton, coffin, encased death, unfeeling, numb

　TWISTING a TAUT HEAD
…or: SCREWING EMISSIONS
…or: HAND on TAUT ROD
　

貞

テイ,さだ chastity (of females), fidelity, righteousness, constancy, virtue; firmly upholding one's moral principles; seeking the will of the gods

　YOUNG PREPUBESCENT GIRL as FLESHPOT
…or: DIVA with MONETARY VALUE
…or: RAISED ROD with AIM, GOAL of EMISSIONS
　

Meanings of elements

DOING SOMETHING TOGETHER, EACH OTHER, BOTH OR ALL SIDES MUTUALLY, OBSERVATION OF SOMEONE and with PALM OF A HAND and PREPUBESCENT YOUNG DIVA, CRESTING CONDITIONS WITH RAISED ROD HEAD and with EMIT DOWNWARD SPLASHING
…or: WOODY STALK with CHASTITY OF FEMALE FIDELITY, RIGHTEOUSNESS, CONSTANCY, VIRTUE, FIRMLY UPHOLDING ONE'S MORAL PRINCIPLES, SEEKING THE WILL OF THE GODS
…or: SCREWING EMISSIONS, WOOD of YOUNG PREPUBESCENT DIVA FLESHPOT with AIM OF EMISSIONS
…or: STALK, STEM, WOODY of CHASTITY
…or: WOODY with ROD RAISED and with FLESHPOT

「Female chastity with woody」that PROVIDES SUPPORT of her continuing chaste state with HARD WOODEN POSTS smacks of a DILDO collection. A「chaste woody」likely remaining unbent, untwisted, unscarred…stiff and straight as HARDWOOD POSTS. EVERGREEN SHRUBS are「ever green」that is, as long as the subject remains chaste, the wood will ever remain a greenhorn.「Female chastity with woody」suggests the condition of an erection upon locating a chaste female in unprotected circumstances. Perhaps it need not be pointed out that trees, shrubs, and evergreens have no logical relationship with chastity, which is a moral issue, hence this glyph is most likely referring to that characteristic of human beings.

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: evergreen shrub
Japanese EDRDG: hardwood, supports, posts
Unihan extended: hardwood; supports, posts

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.