膈 thoracic diaphragm, region between heart and diaphragm; a hopeless situation, incurable 脰,冂,丨,月,⺼,鬲,

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Mincho:

Gothic:

膈

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On-yomi [ Toggle rōmaji ]

カク
KA　KU

Glyph elements [ Toggle Font ]

脰

トウ,ズ,うなじ the neck, throat, nape of the neck, place below the head

　TWIST OR SCREW, SURROUND with RECIPROCATING MOTION and with SPURTING SHAFTS STANCE, PERCOLATING, GUSHING HOT FLUIDS
…or: BODY MEAT OR FLESH, CHICKS AND BUNNIES with CLITORIS, FEMALE GENITALIA, SACRIFICIAL VESSEL, TROPHY, PRIZE
…or: MEAT to THE BEAN
…or: THE BEAN MEAT
　

冂

キョウ,ケイ,× widely spread legs, surrounding outer edge

　VERTICAL RECIPROCATING MOTION, ROD with TENSION TIGHT SPRING-LIKE ACTION, NO-LONGER-INTEGRATED AND BOUND FOOT OF CHINESE FEMALE
　

丨

コン,シ,ジョ,ニョ,すす,しりぞ vertical, reciprocating motion vertically, rod stalk or stem while vertical

　TOP TO BOTTOM, BOTTOM TO TOP, UP-DOWN
　

月

ゲツ,ガツ,つき proceptivity; month; the Moon, lunar positions, lunar phases; mooning position, meat, meat phases

　ERECT in HIGH TENSION with TWO ORIFICES over-under inside SPREAD LEGS
…or: ERECTION DRIPPING in NO-LONGER-INTEGRATED FOOT, TENSE GASPS
…or: A REASON FOR TONGUING MOUTH within SPREAD LEGS
…or: ROD within ORIFICE within SPREAD LEGS
　

⺼

× HTML entity: ⺼ body meat or flesh; meat of disintegrated feet; chicks and bunnies

　ERECTION and CLEVER with DROPS
…or: STIFF with CONGEALING and WRAPPED NO-LONGER-INTEGRATED BONES
…or: QUICK MOVEMENTS with FLEDGLING WING
　

鬲

カク,レキ,かなえ,へだ cauldron, fleshpot

　CLITORIS, CLITORAL, MINIATURE, FEMALE GENITALIA, THE BEAN, SACRIFICIAL VESSEL, TROPHY, PRIZE with RECIPROCATING MOTION VERTICALLY, ROD STALK OR STEM and SPREAD LEGS, OUTER EDGE, SURROUNDING
…or: ARRAY and ORIFICE with FEMALE SEX SLAVE, SPLIT INTO TWO PARTS BUT STILL CONNECTED, BIFURCATED in SPREAD LEGS and HORIZONTAL
…or: ARRAY OF ORIFICE with COPULATING MALE in SPREAD LEGS and ROD DOWN
…or: WIDENED ORIFICE with SPREAD THREE-LEGGED
…or: WIDE ORIFICE with SPURTING ROD inside SPREAD LEGS
…or: CLITORIS with SPREAD LEGS of MALE COPULATION or SEX SLAVE ARRAY
　

Meanings of elements

NECK, THROAT, NAPE OF THE NECK, AREA BELOW A HEAD with SPREAD LEGS, SURROUNDED and with RECIPROCATING ROD MOTION
…or: BODY MEAT OR FLESH, CHICKS AND BUNNIES with CAULDRON, FLESHPOT

The diaphragm is a wall-like muscle that functions with the ribcage, forming a「body cauldron」that supports the heart and lungs. Meat bound to a cauldron, or inside a cauldron being heated, is in a hopeless situation with no way out:「meat with array of orifices and copulation in spread legs, with rod down」also seems to be a hopeless situation, apparently one that is incurable. Elements are suggestive of mammary intercourse, which occurs whilst placing pressure on the service provider's DIAPHRAGM, and other fleshy parts in a manner that also is difficult from which to escape, at best.

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: diaphragm
Japanese EDRDG: diaphragm
Unihan extended: diaphragm

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.