趙 nimble, to surpass others, late-going, late in the game, going late, positioned physically behind others, working all through the night 土,龰,丨,䏌,走,肖,

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MingLiU:

Mincho:

Gothic:

趙

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On-yomi [ Toggle rōmaji ]

チョウ　･　ジョウ　･　キョウ
CHO　U　･　JO　U　･　KYO　U

Glyph elements [ Toggle Font ]

土

ド,ト,つち soil, clay, earth, ground, night soil, feces, manure, ordure, opium

　FULL SCREWING ARRAY
…or: ARRAY of RODS UP
…or: ROD within FLESH SEAM
　

龰

× erotic, erogenous; astride, straddling, mounted; foot, feet, lower legs; erogenous feet; erotically straddling with one foot on each side

　DIVINE with PERSON ADULT MALE
…or: PREPUBESCENT FEMALE and PROSTRATE
…or: DIVINE and TAUT with HEAD
…or: PREPUBESCENT FEMALE on MAN
　

丨

コン,シ,ジョ,ニョ,すす,しりぞ vertical, reciprocating motion vertically, rod stalk or stem while vertical

　TOP TO BOTTOM, BOTTOM TO TOP, UP-DOWN
　

䏌

× booty dancers, jiggling, vibrating, chorus line of singing girls dancing during the rites of spring, shaking one's money-maker, twerking for coin, fan-dancing, to survive by employing one's native talents and skills, good vibrations, meat offerings, mooned offerings, buzzing, spurting meat

　EMIT and BODY MEAT
…or: SPLIT and FLESH
…or: ENDLESS LINE of MEAT MOONING
　

走

ソウ,はし to run, walk, go or to move feet; to change shape or meaning, to leave home; spring spawning, first harvest

　GROUND and RAISED FEET
…or: NIGHT SOIL with ASTRIDE, STRADDLING, MOUNTED
…or: FECES with EROTICA
　

肖

　VERTICAL RECIPROCATING MOTION, ROD STALK with JIGGLING, VIBRATING, BOOTY DANCERS, CHORUS LINE OF SINGING GIRLS DANCING DURING THE RITES OF SPRING
…or: SMALL STREAM OF EMISSIONS, YOUNG MINOR, SMALL, PETTY, TINY FLOW, HUMAN MONS, DEEPLY FELT FEELING DIFFICULT TO FORGET with BODY MEAT, FLESH, CHICKS AND BUNNIES
　

Meanings of elements

SOIL, CLAY, FECES, OPIUM with EROTIC, EROGENOUS, STRADDLING MOUNTED FOOT, FEET, LOWER LEGS and with VERTICAL, RECIPROCATING ROD MOTION within JIGGLING BOOTY DANCERS, CHORUS LINE OF SINGING GIRLS DANCING DURING THE RITES OF SPRING, SHAKING ONE'S MONEY-MAKER, TWERKING FOR COIN, FAN-DANCING, TO SURVIVE BY EMPLOYING ONE'S NATIVE TALENTS AND SKILLS, GOOD VIBRATIONS, MEAT OFFERINGS, MOONED OFFERINGS, BUZZING, SPURTING MEAT
…or: RUN, MOVE FEET, CHANGE SHAPE OR MEANING, LEAVE HOME, SPRING SPAWNING, FIRST HARVEST with SIMILAR, MINIATURE OF SOMETHING ELSE, SHARING GOOD THINGS WITH ANOTHER, GETTING LUCKY, FOLLOW THE EXAMPLE OF ANOTHER PERSON, CHANGE UNDER THE INFLUENCE OF ANOTHER, BE INSPIRED TO EMULATE ANOTHER, BE AFFECTED AND BECOME THE SAME STATE AS ANOTHER

A successful attempt by someone at creating some small, look-alike, feel-alike meat,「changing shape with small meat.」Attracting potential clients who are hurrying to be first in line, or, the potential clients with the fear of missing out while「running for some young small meat, jiggling booty dancers」available nightly for short-term rental at the shaman's pleasure palaces and diva shrines.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: to surpass (old); one of the seven states during the Warring States Period (476-220 BC); the Former Zhao 前趙 (304-329) and Later Zhao 後趙 (319-350), states of the Sixteen Kingdoms
Unihan extended: surname; ancient state
EDRDG: nimble; late-going

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.