摔 to throw down, to drop and break, fall to the ground, stumble, trip 扒,十,亠,丷,ハ,幺,扌,率,

注意：このページには、一部の読者にとって不快または不適切な内容が含まれている可能性があります。
Note: This page may contain content that is offensive or inappropriate for some readers.

MingLiU:

Mincho:

Gothic:

摔

Login Welcome!　Introduction
Glyphs missing from your font set may appear strange, or not at all. We recommend enabling East Asian language support.

On-yomi [ Toggle rōmaji ]

シュツ　･　シュチ
SHU　TSU　･　SHU　CHI

Glyph elements [ Toggle Font ]

扒

ハイ,ハツ,ハチ,ぬ,さば to crawl, hold on to, cling to; to dig up, to rake; to strip off of

　TALENTED, USING BOTH OF ONE'S HANDS TO ACCOMPLISH A TASK and DIVIDE, SPLIT, EMIT, ISSUE
　

十

ジュウ,ジッ,ジュッ,とお filled completely, perfectly full; screwing, rotating, twisting, turning; crossed shape; closing a hole or other opening, plugged, blocked; needle; ten

　VERTICALLY and HORIZONTALLY
…or: TOP TO BOTTOM and SIDE TO SIDE
　

亠

トウ,× emphasis on rod, palming, under control, covered

　THIS IS THE POINT emphasis on ROD, SEGMENT, ARRAY, INDICATES EXTENT
　

丷

× emit upward

　EMISSIONS, EMIT DROPS
　

ハ

× HTML entity: ハ emit downward

　EMISSIONS, EMIT DROPS
…or: HEAD TAUT
　

幺

⺕ウ,ちいさい tiny smallest youngest, most tender, the one, professional care needed, never-ending, figure-eight shape; shouting screaming hollering what!?

　LOOSE UNBOUND with DRIPPING STENCH CLOUD
…or: emphasis on even more emphasis on LOOSE DRIPPING STENCH, SELF SECRET PRIVATE
　

扌

シュ,× talented, using both of one's hands to accomplish a task

　TALENT
…or: USING BOTH HANDS
…or: ARRAY of STREAMS with SLIDING HEAD IN
　

率

ソツ,リツ,シュツ,ひき proportion, rate, percentage; ratio; command and control, straightforward, hasty

　DIFFICULT TO COMPREHEND, MYSTERIOUS SHAMAN BUSINESS and SPURTING DROPS with FILLED COMPLETELY, SCREWING, BLOCKED, NEEDLE
…or: CONTROL of STICKY EMISSIONS and SCREWING
…or: PALM DOWN on STICKY LONG FIBERS and TWISTING, SCREWING with DROPS SPURTING IN ALL DIRECTIONS
　

Meanings of elements

TO CRAWL, HOLD ON TO, CLING TO, DIG UP, TO RAKE, STRIP OFF OF with FILLED COMPLETELY, SCREWING, TWISTING, TURNING, HOLE OR OTHER OPENING PLUGGED, BLOCKED, NEEDLE with SHAMAN'S BUSINESS, DIFFICULT TO LOOK AT, DARKENED, VERY LOOSE AND DRIPPING
…or: PALM CONTROL, COVERED HEAD OF SOMETHING with EMIT SPURTING UP and DOWN with WHAT!? SCREAMING AND HOLLERING, MOST TENDER, PROFESSIONAL CARE NEEDED, NEVER-ENDING
…or: USING BOTH OF ONE'S HANDS TO ACCOMPLISH A TASK with PROPORTION, RATE, PERCENTAGE RATIO, COMMAND AND CONTROL, STRAIGHTFORWARD, HASTY

「Use hands with palm dropping, dripping emissions in all directions while twisting」as either deliberately throwing something down in order to break it, or inadvertently letting something slip and attempting to grab it, but it hits the ground and shatters anyway. Using one hands to break a fall after tripping or stumbling. Perhaps related to the English expression,「dropped the ball(s).」

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: to throw down; to fall; to drop and break
Unihan extended: fall ground, stumble, trip
EDRDG: fall ground; stumble; trip

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.