磕 to tap, to knock against, bump against, collide with 砝,皿,去,石,盍,

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MingLiU:

Mincho:

Gothic:

磕

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On-yomi [ Toggle rōmaji ]

カイ　･　コウ　･　カツ　･　カチ
KA　I　･　KO　U　･　KA　TSU　･　KA　CHI

Glyph elements [ Toggle Font ]

砝

キョウ,コウ,ホウ,かた balanced on all sides, balanced weight

　MAKING AND SLINGING SLURRY, SERFS AT WORK FERTILIZING AN AREA with LOOSE DRIPPING CLOUD OF STENCH, RANCID ODOR
…or: ROCK-LIKE STONES, ROCKS, MINERALS and CAUSE TO GO OR SEND SOMEONE AWAY, REMOVE, GET RID OF, BE APART FROM IN SPACE OR TIME, TO GO BAD, TO ROT, PARRY, SIDESTEP, TO LET GO, CHASE AWAY, SHIT STINK
　

皿

ベイ,さら container, trough, basket, tray, plate, dish, wide pan, vessel, bowl, basin, netting claptrap on rod

　NETTING on ROD
…or: NETTING to the FULL EXTENT
…or: SNARED ONE
…or: SPURTING STANCE in SPREAD LEGS
…or: SURROUNDED BY COPULATION ARRAY
…or: RODS UP in SPREAD LEGS
…or: multiple ORIFICES, GOODS in ARRAY
…or: CONTAINMENT SURROUNDING a SPURTING ROD
　

去

キョ,コ,さ,～さ to cause to go or send someone away; to remove, to get rid of, to be apart from in space or time; to die, to go bad, to rot, to go home, to leave, to go away; to parry, sidestep, to let go, chase away, shit stink

　ROD within STENCH CLOUD
…or: NIGHT SOIL, FECAL MATTER with LOOSE DRIPPING STINK
…or: SMELL of FECES
…or: SCREWING with TALENTED ARM
　

石

セキ,シャク,コク,いし rocky or rock-like, stones, rocks, minerals

　LATERAL MOTION, ROD and HEAD SLIDING or ERECTION with ORIFICE, MOUTH, CAVITY OR PASSAGE OF THE BODY
　

盍

コウ,おお,なんぞ why not?; rancid, cover

　GONE RANCID on TRAY, NETTING CLAPTRAP ON ROD
　

Meanings of elements

BALANCED ON ALL SIDES, BALANCED WEIGHT with NETTING CLAPTRAP ON ROD, TROUGH, BASKET
…or: ROCKY OR ROCK-LIKE STONES, ROCKS and with WHY NOT? RANCID, COVER

Rock seldom becomes rancid (right element)…why would it? referred to the tap, tap, tapping of「rocks, testicles」in motion with「shit stink loose and dripping」over「nettings in tray, netting on rod.」「Rocks balanced on each side of netting」may have tended to COLLIDE WITH and TAP against the protective poultice basket codpiece covering when in motion, as when walking for example.
「Slinging slurry balanced on each side of shoulders」with「trough」as TAPPING the hods, sacks, baskets against something hard to eject the contents, or COLLIDING with the filling trough after collapsing in disgust or losing one's balance refilling for the next load, or the sacks of shit bumping against the bodies of the serfs.
Nonetheless,「balanced tapping of stones against stones, with rancid stench」certainly seems to graphically describe the testicles in the scrotum of one male COLLIDING with and repeatedly TAPPING AGAINST the stones in the scrotum of another male in lordosis while engaging in anal intercourse (blame the sages, not us),「balanced on all sides, all four sides」with「anal stench, why not try?」see the variant 礚 that adds「emerging shafts」to this whole scenario.

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: variant of 嗑; to tap; to knock (against sth hard); to knock (mud from boots, ashes from a pipe etc)
Japanese EDRDG: hit, collide, knock into, sound
Unihan extended: hit; collide, knock into; sound

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.