縫 stitch, sew, suture, seam, narrow slit, embroidery, bougie reaming session 糸,逢,

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MingLiU:

Mincho:

Gothic:

縫

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On-yomi [ Toggle rōmaji ]

ホウ
HO　U

Kun-yomi

ぬ(う
nu　u

Glyph elements [ Toggle Font ]

糸

シ,いと stringy stinky and silk-like

　TINY SMALLEST YOUNGEST with EMISSION STREAM
　

逢

ホウ,あ,むか to meet with, tryst, clandestine meeting for sexual intercourse, rendezvous, a date; to become exposed

　TAKING STEPS and THICK AND HOT, MEET WITH, COME TOGETHER
…or: MOTION OF FEET, SOMETHING IN MOTION and TO BE PIERCED WITH A HORN, GORED, TO BUTT AGAINST, DESCENDING SLOWLY WITH SPREAD FEET ON A TALLY
…or: MOTIONS of GORING
…or: emphasis on TWO TAUT NO-LONGER-INTEGRATED FEET with PRICK within SPREAD FEET
　

Meanings of elements

THREAD with SLOW MOVEMENT of PRICK
…or: EJACULATIONS from LOVER'S TRYST
…or: STRINGY SPUN THREADS, VARIOUS PENILE EMISSIONS, HUMAN CONNECTION, WHAT!? SCREAMING AND HOLLERING, MOST TENDER, UNWOUND BANDAGES FROM A GRAVE INFECTION, DIFFICULT TO LOOK AT, DARKENED, GANGRENOUS, PROFESSIONAL CARE NEEDED with a SMALL STREAM OF EMISSIONS DEEPLY FELT, DEEP FEELING DIFFICULT TO FORGET and with MOTIONS of GORING

「Silky threads」and「movement of head in crotch, spread feet with prick」to mean「needle and thread used to pull two sides of bodily tissue together by slowly goring each side and forcing the sides to meet」as in SUTURES pulling sliced flesh and skin back together, and also the obvious SEWING, STITCHES of cloth materials.
Right element as an independent glyph today is comprised of「movement of descending slowly upon a prick」referring to a「tryst, rendezvous for the purpose of engaging in clandestine sexual intercourse」a thought that also entails the slow meeting and goring upon a horn by two sides of human tissue. Note that the「prick, tally」element includes「many repeated strokes」on what appears to be a thin horn or needle.「Ejaculations and tryst」refer to a NARROW SLIT in clothing, likely placed strategically in both partner's clothing, such as a modern-day zippered fly in the front of a man's trousers and split-crotch panties for the partner in a dress or skirt, allowing for quick rear entry and an even faster getaway if the need be.
Glyph is used in Japan to depict STUFFED ANIMALS, perhaps since the object resembles meat, flesh, and skin that is SUTURED together at the seams, and because if the object is split open, whitish blobs of fluff normally begin to slip out of the narrow slit, another result the same as a「rendezvous, lover's tryst」since the slit-proffering partner seldom has any opportunity to wash up immediately.
EMBROIDERY as a decorated cloth variously mentioned in Chinese glyphs normally has to do with the multi-colored thread-like emissions that stain surrounding cloths with interesting shapes and patterns that are discharged whilst reaming a urethra with a bougie, another result of quick trysts, with a needle in actions that resemble a sewing machine.

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: seam; crack; narrow slit; to sew; to stitch
Japanese EDRDG: sew, stitch, embroider
Unihan extended: sew, mend

Used within names (nanori)
ぬい

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.