磧 sand and gravel; rocks exposed at low tide; to crush; moraine 一,ノ,唄,員,龶,石,責,

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MingLiU:

Mincho:

Gothic:

磧

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On-yomi [ Toggle rōmaji ]

セキ
SE　KI

Kun-yomi

かわら
ka　wa　ra

Glyph elements [ Toggle Font ]

一

イチ,イツ,ひと～ horizontal, array of items, reciprocating lateral motion, indicates width or extent, one segment, rod stalk or stem

　SIDE TO SIDE, BACK AND FORTH
　

ノ

× HTML entity: ノ head, sliding down, declining, dammed flow

　HEAD SLIDING DOWN
　

唄

バイ,うた reluctant, grudgingly complying, indicating a lack of enthusiasm; performed in only one way and no other, chanting, singing, reciting poems, ballads

　MOUTH beside CAULDRON
…or: ORIFICE of FLESHPOT
　

員

イン,× member, person(s) of a group, gathered around, cluster, clustering

　FLESHPOT ORIFICE
…or: a WEALTH of ORIFICE(S)
…or: ORIFICE as WEALTH
…or: ORIFICE with AIM, GOAL, EYEING EMISSIONS
　

龶

× HTML entity: 龶 prick, stab; tapered; painful condition [as an element], thorn; scorpion telson with setae bristles

　MANY TIMES with VERTICAL, RECIPROCAL MOTION
…or: PENIS within CLOSED ORIFICE OF FLESH SEAM, CRAFTY
…or: ROD UP with TURGID-FLACCID CHANGING STATE
…or: ARRAY of PENIS
…or: ARRAYED with FECES
…or: ARRAY of FLESH SEAMS
　

石

セキ,シャク,コク,いし rocky or rock-like, stones, rocks, minerals

　LATERAL MOTION, ROD and HEAD SLIDING or ERECTION with ORIFICE, MOUTH, CAVITY OR PASSAGE OF THE BODY
　

責

セキ,せ responsibility, obligation, duty, liable, blame, reproach, censure, persecute, torture, pester, break into

　SOIL, FECES in ONE'S TRIBUTE
…or: SCREWING in ONE'S TRIBUTE
…or: PRICK with FLESHPOT
…or: THORN in FLESHPOT
…or: PRICK with WEALTH
…or: PRICK with GOAL of EMISSIONS
…or: FECES in FLESH SEAM of FLESHPOT
…or: ROD in FLESHPOT of the KING
　

Meanings of elements

STONES, ROCKS with RESPONSIBILITY, OBLIGATION, DUTY, LIABLE, BLAME, REPROACH, CENSURE, PERSECUTE, TORTURE, PESTER, BREAK INTO
…or: STONES with PRICK and FLESHPOT, GOAL OF EMISSIONS

A moraine is crushed rock deposited in a lined, mounded shape that is deposited as the front edge of a glacier melts. Rocks and sand visible at low tide are also the result of water motion. Both areas leave rock that was highly desired since it had been smoothed and rounded naturally by the forces of friction and erosion grinding the rock surfaces over tens of thousands of years in some cases, and could be used 'as is' without the need for removing any sharp edges, such as for constructing walls to line one's pit hole home,「rock for which a debt is owed」to natural forces, not to overly mention that a「prick in a fleshpot」does some significant grinding and rubbing against various tissue walls, too, in particular if the particulate is not sufficiently lubricated. Round stones were used at times to crush bones in meat that was then used for「pricks in fleshpot」no-longer-integrated feet.
　A Chinese euphemism for anal coitus refers to a gritty sensation, sandy conditions, foamy flecks in wavelike motions, and so on.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: moraine; rocks in shallow water
Japanese: dry river bed, river beach
Unihan extended: sand and gravel; rocks exposed at low tide; to crush
EDRDG: expanse of sand; pebbly beach

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.