褧 garment with no lining, unlined clothes, light overcoat; going commando, free-balling, freebuffing 耳,炛,亠,耿,衣,

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MingLiU:

Mincho:

Gothic:

褧

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On-yomi [ Toggle rōmaji ]

ケイ　･　キョウ
KE　I　･　KYO　U

Kun-yomi

ひとえ
hi　to　e

Glyph elements [ Toggle Font ]

耳

ジ,みみ hearing, listening, adjust balance and positioning, adjust internal pressure, ear; soldier, clan flag, that is all, end of message

　ARRAY of VERTICAL MOTION with ADJUST POSITION AND BALANCE in ANY DIRECTION, DISCONNECTED BONE FRAGMENTS, INTERNAL DIVISIONS
　

炛

⺕ウ,キョウ,て to cause male sexual arousal, to flirt, to tease a prick or penis, illuminate, cause shining

　COLLEAGUES, CLASSIFIER FOR GROUPS OF PEOPLE, COMPANIONS, PARTNERS, BUDDIES, a TOOL as a DEVICE FOR SCOOPING FLUIDS, SEXUAL SERVICES PROVIDER
…or: EMIT UPWARD SPURTING with NORMAL HUMAN RELATIONSHIPS
…or: HEATED IN HEAT, BURNING ON FIRE FLAMING with TRANSFORMATION, TO DELUDE, BEWITCH, ENCHANT, CHARM
…or: EMIT UPWARD SPURTING with ERECTION TAUT and ROD HEAD SLIDING with SERVICE PROVIDER
　

亠

トウ,× emphasis on rod, palming, under control, covered

　THIS IS THE POINT emphasis on ROD, SEGMENT, ARRAY, INDICATES EXTENT
　

耿

コウ,ひかり honest, upright, having courage, valor, fearlessness; flashing, bright, shining

　LISTENING WHILE ADJUSTING BALANCE INTERNAL PRESSURE AND POSITIONING of PERSON with EMISSIONS, BURNING ON FIRE FLAMING
…or: SOLDIER, CLAN FLAG and BURNING ON FIRE FLAMING
　

衣

イ,エ,ころも,きぬ,～ぎ cloth foot bindings, cloths, clothing, to dress, a dressing, wrapped covering

　COVERING PALM GRIP, CONTROL PALMING of PERSON with RAISED FOOT of SITTING PERSON
…or: CONTROL of DELUSION, CHARM
…or: emphasis on ROD TRANSFORMATION with HEAD UP AND IN
　

Meanings of elements

HEARING, LISTENING, ADJUST BALANCE AND POSITIONING, ADJUST INTERNAL PRESSURE with CAUSE MALE SEXUAL AROUSAL, TO FLIRT, TEASE A PRICK OR PENIS and with PALMING CONTROL, COVERING THE HEAD
…or: HONEST COURAGE, FEARLESS FLASHING with CLOTHING

GARMENTS WITH NO LINING often can be seen through easily, or at a minimum reveal the contours of the body shape, nipples, breasts, pudendum, penis and testicles, muscular build and so on that is beneath. Elements literally are「clothes for adjusting the position and balance of a flaming, burning erection」as a problem every male can attest to as being quite troublesome, nonetheless is very easily remedied if only a light garment with no tight lining or underclothes are worn, namely,「soldier's erection garments」: perhaps the source of the English expression, 'going commando' and being ready for anything.

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: monotone garment with no lining
Japanese EDRDG: unlined clothes, light overcoat
Unihan extended: unlined clothes; light overcoat

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.