離 distancing, separation from, detached, divided from, to release; loss of interest in, disillusionment with, alienation, burning sensation 离,隹,

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MingLiU:

Mincho:

Gothic:

離

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On-yomi [ Toggle rōmaji ]

リ
RI

Kun-yomi

はな(れる　･　はな(す
ha　na　re　ru　･　ha　na　su

Glyph elements [ Toggle Font ]

离

チ,リ,× distancing, separation from, detached, to keep away from something deliberately, to release, loss of interest in, disillusionment with, alienation, become estranged, peeling off, remove outer covering, red and green, flaming burning sensation, obvious anal gonorrhea, rectal dildoing

　FAMINE in HOLDING SOMETHING RANCID
…or: GANGRENE, TERTIARY STAGE OF ILLNESS, BLUE-BLACK-GREENISH and VICIOUS, MISFORTUNE, BAD LUCK, CALAMITY, EVIL with SPREAD LEGS SURROUNDING and LOOSE AND DRIPPING, CLOUD OF STENCH, RANCID ODOR, MYSELF, PRIVATE, KEEP SECRET, STINKY BENT THIRD LEG
…or: CRUEL, UNFORTUNATE with BUTTOCKS, RUMP, ANUS, TAIL
…or: RANCID MISFORTUNE in SPREAD LEGS
…or: COVERED EVIL, DANGER, WEAVE IN CAVITY with LOOSE AND DRIPPING STENCH in SPREAD LEGS
…or: SAD and RUMP, ANUS
　

隹

サイ,スイ,とり primate mating stance, male human or bird in courting stance, flaunting one's best point, narcissism, loving oneself in full plumage display or while displaying a plume, public display of affection for one's own bird or pecker

　PERSON PALMING ROD PRICK
…or: CORE EMPHASIS on FLESH SEAM SKILL
…or: HEAD SLIDING on UPRIGHT ROD with PALMING CONTROL of PRICK
…or: EMPHASIS on KERNEL OF HUMAN NATURE and TALENTED HANDS USED TO ACCOMPLISH A TASK
　

Meanings of elements

MALE MATING STANCE with CRUELLY UNFORTUNATE SAD CASE and RUMP, ANUS
…or: DISTANCING, SEPARATION FROM, DETACHED, TO KEEP AWAY FROM SOMETHING DELIBERATELY, TO RELEASE, LOSS OF INTEREST IN, DISILLUSIONMENT WITH, ALIENATION, BECOME ESTRANGED, PEELING OFF, REMOVE OUTER COVERING, RED AND GREEN, BURNING SENSATION, OBVIOUS GONORRHEA and MALE HUMAN OR BIRD IN MATING STANCE, NARCISSISM IN FULL PLUMAGE DISPLAY

「Male in courtship display with obvious symptoms of gonorrhea」needs little, if any, further explanation. SYNERESIS means exuding the liquid from a gel, such as by straining with a fine mesh. Some say also referring to an Old-World bird, the true ORIOLES known for spectacular coloring, and for long, far MIGRATION patterns travelling to「courtship display」sites between Africa to the south and from England eastward to Siberia in the north, all REMOTE, FAR DISTANCES for a small songbird.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: to leave; to part from; to be away from; (in giving distances) from; without (something); independent of; one of the Eight Trigrams 八卦, symbolizing fire; ☲
Japanese: li, to separate, to part, to divide, to keep apart, to go away, to become more distant, to fade away, to die away, to be separated, to be apart, to be distant, to leave, to quit, to give up, to lose connection with, to drift away from, detached, separation from, loss of interest in, independence of, distancing from, disillusionment with, alienation from, syneresis
Unihan extended: leave, depart; go away; separate
EDRDG: detach; separation; disjoin; digress

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.