鞣 soft and hairless skin, to soften and process skin, softened stretched skin, chamois, suede, tanning leather, licking hairless skin, cunnilingus 革,廿,中,十,柔,

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MingLiU:

Mincho:

Gothic:

鞣

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On-yomi [ Toggle rōmaji ]

ジュウ　･　ニュウ
JU　U　･　NYU　U

Kun-yomi

なめ(す　･　なめしがわ
na　me　su　･　na　me　shi　ga　wa

Glyph elements [ Toggle Font ]

革

カク,かわ processed skin, leather, tanned hide, expulsion while in a fixed position, reform (change shape), remove, revolution (fundamental change, turning over control to another)

　BASTARDS ORIFICE SCREWING
…or: TWENTY OR SO SCREWING in VULVA, JUXTAPOSED ORIFICES
　

廿

ジュウ,ニュウ,にじゅう twenty or so; many and various times; illegitimate child

　ARRAY of CAVITIES
…or: TEN (doubled)
　

中

チュウ,なか,うち,あた to hit the 'bull's eye' while doing (something), middle, center, within, on the inside, among; two-sided, throughout; vulva, Mother China

　ROD in ORIFICE
…or: ORIFICE TOP TO BOTTOM
…or: ROD in JUXTAPOSED ORIFICES, ROWDY BEHAVIOR
…or: SCREWING in CAVITY
…or: SCREWING in SPREAD LEGS
　

十

ジュウ,ジッ,ジュッ,とお filled completely, perfectly full; screwing, rotating, twisting, turning; crossed shape; closing a hole or other opening, plugged, blocked; needle; ten

　VERTICALLY and HORIZONTALLY
…or: TOP TO BOTTOM and SIDE TO SIDE
　

柔

ジュウ,ニュウ,やわ tender, soft, gentle, mild, supple, yielding, flexible, flaccid

　SHUTTLING MOTIONS REPEATED CONTINUOUSLY, NARROW AND TAPERED, LONG-HEADED, SEPTILLION, RE-ERECTING with THE HEAD SLIDING DOWN, DECLINING, DAMMED FLOW
…or: PIKE, SPEAR, LANCE, HALBERD, CARNIVAL FLOAT, GRIPPING POSITION OF A TOOL OR WEAPON and FILLED COMPLETELY, PERFECT SCREWING, ROTATE, TWISTING, TURNING, TEN with EMIT DOWNWARD SPLASHING
…or: GRIPPING POSITION of A WOODY
…or: ON ALL FOURS with THE HEAD DECLINING and ROLLED BACK with STREAM of A WOODY
　

Meanings of elements

PROCESSED SKIN, EXPULSION WHILE IN A FIXED POSITION, REFORM, CHANGE SHAPE, REMOVE, FUNDAMENTAL CHANGE, TURNING OVER CONTROL TO ANOTHER with TENDER, SOFT, GENTLE, MILD, SUPPLE, YIELDING, FLEXIBLE, FLACCID
…or: PROCESSED HAIRLESS SKIN with SHUTTLING MOTIONS REPEATED CONTINUOUSLY, SEPTILLION, RE-ERECTING with THE HEAD SLIDING DOWN, DAMMED FLOW
…or: PROCESSED HAIRLESS SKIN with CARNIVAL FLOAT OF RAISED MEAT DISPLAY, GRIPPING POSITION and FILLED COMPLETELY, PERFECT SCREWING, ROTATE, TWISTING, TURNING, TEN with EMIT DOWNWARD SPLASHING
…or: PROCESSED HAIRLESS SKIN with DOWN ON ALL FOURS with HEAD DECLINING AND SLIDING and ROLLED BACK with STREAM of SCREWING EMISSIONS

Note the Japanese pronunciation may mean「to change by licking」「licking skin」as a means of processing skin prior to use. One myth explains some societies long ago put toothless elderly folks to work by having them chew on leather to soften it, yet real evidence suggests that other tools fashioned from harder materials than human gingiva, such as elk bone, were used.「To change by licking skin」may not be the best way to immediately soften a male as a contrary reaction is often the case, but this technique is highly recommended when attempting to mate with a female who needs a bit of softening foreplay: many animal species do exactly that: canids, horses, bears, cattle, and bats are examples of species that perform cunnilingus regularly, and not only human beings. Skin from which the hair or fur has been removed makes for easier licking, as it were. Note that hairs can be plucked or shaven to produce hairless skin, or, obviously the skin can be prepubescent and therefore need no prior preparation: see the glyphs meaning 'underrated' 舓, 甞, and 嘗 for details.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: suede; chamois; tannin; to tan
Japanese: tanning, to tan
Unihan extended: tan, soften
EDRDG: tanned leather

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.