觸 feel, touch, make contact, announce, skin rash, stir emotions 触,罒,勹,角,蜀,

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MingLiU:

Mincho:

Gothic:

觸

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On-yomi [ Toggle rōmaji ]

ショク
SHO　KU

Kun-yomi

ふ(れる　･　さわ(る
fu　re　ru　･　sa　wa　ru

Glyph elements [ Toggle Font ]

触

ショク,ふ,さわ brush against, touch, make contact, announce, skin rash, arouse feelings, to violate, gore, sting, unclean, most impressive passage, the punch line

　IMMINENT DANGER OF PLUGGED MEAT, A HORN with WORM, SNAKE
…or: A HORN with INSECT, PATHOGENS
…or: HEAD ROLLED BACK OF MEAT HORN with ROD in ORIFICE and LOOSE DRIPPING STINK, HEAD UP AND IN with emphasis
　

罒

モウ,ボウ,あみがしら,よこめ netting, weaving within spread legs, snare, claptrap

　THE GOODS as ARRAY OF ORIFICES
…or: SPREAD LEGS with WEAVING INSIDE
…or: SPREAD LEGS with SPURTING STANCE
　

勹

ホウ,つつ wrapper, wrapping around

　HEAD SLIDING with HIGH TENSION AND GASPS in SKIN SLIT of NO-LONGER-INTEGRATED FEET
　

角

カク,かど,つの a role to play, competition, a horn of bone, protruding head bone, an angle or corner, horny, head horn; ancient wine vessel, musical note, a nook, intractable, difficult to maintain under control

　HEAD AND NECK of ERECTION PLUGGING ORIFICE within NO-LONGER-INTEGRATED FOOT, HIGH TENSION GASPS
…or: IMMINENT DANGER of PLUGGED HOLE in SPREAD LEGS with STREAM
…or: HEAD AND NECK DANGER with SHORTENED ROD in MEAT
　

蜀

ショク,ゾク,いもむし cocoon, meat wrapped in sack netting and undergoing fundamental change or metamorphosis, groin poultice, firmly attached, parasitic pathogens, dangerous worm slime, dangerous slimy worm, copulating snakes, horned caterpillar, meat sack with horn protruding from posterior

　NETTING, WEAVING and WRAPPED INSIDE with CATERPILLAR, INSECT LARVA
…or: NETTING, WEAVING WITHIN SPREAD LEGS, SNARE, CLAPTRAP and WRAPPED INSIDE, WRAPPING AROUND, HEAD AND NECK DANGER with SNAKE, WORM, LARVA, BUGS, PATHOGENS, CORKSCREW DEMONS
　

Meanings of elements

BRUSH AGAINST, MAKE CONTACT, AROUSE FEELINGS, TO VIOLATE, UNCLEAN and NET WEAVING while WRAPPED INSIDE, HEAD AND NECK DANGER
…or: A ROLE TO PLAY, A HORN OF BONE PROTRUDING, HEAD IN CORNER, HORNY INTRACTABLE NOOK and GREEN-HORNED LARVA FIRMLY ATTACHED COPULATING

「Horn, barb, hooked, parasite」that a human TOUCHES normally by stepping upon it to make first CONTACT, and then the hookworm enters the sole of the foot, with a constant itch and irritating FEELING at the worm feeds of the living flesh and blood in the person's foot, continually ANNOUNCING its presence.「Barbed, hooked, parasite」also refers to spotting tapeworms or other intestinal worms in loose stools, a likely cause of STIRRING UP EMOTIONS of one kind, or another. Some suggest「horn of parasitic worms」and tapeworms are known to appear to have heads shaped like an octopus for grabbing into intestines, but this glyph seems to describe more of the sensations, emotions and feeling by or of a human being rather than a caterpillar.「Touching, making contact with a netting used for wrapping a loose and dripping stinky orifice」a bandage or poultice removed from an infected body part is a likely cause of STIRRING UP EMOTIONS of one kind, or another, due perhaps to someone having coitus with the breasts directly above the heart, the seat of emotions.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: to touch; to make contact with something; to stir up sb's emotions
Unihan extended: touch; butt, ram, gore
EDRDG: touch; feel; hit; proclaim; announce; conflict; contact

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.