鶫 thrushes (the birds); thrushes (the fungi) 丷,鵣,樢,吅,口,柬,鳥,

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MingLiU:

Mincho:

Gothic:

鶫

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On-yomi [ Toggle rōmaji ]

トウ　･　ツ
TO　U　･　TSU

Kun-yomi

つぐみ
tsu　gu　mi

Glyph elements [ Toggle Font ]

丷

× emit upward

　EMISSIONS, EMIT DROPS
　

鵣

ライ,× harem procedural management, eunuch

　ORIFICE, MOUTH, CAVITY with DUCK, VINE, EXCEPTIONALLY LONG CORKSCREW-SHAPED TWISTED WOODY APPENDAGE
…or: WOODY with BIRD CALL, ANIMAL CRY OR SOUND, RESONATE, ECHO, TO BE POPULAR, BE ESTEEMED, BE REPUTED, TO PUSSYFART, QUEEF
…or: BIRDS, CHICKS and IN A GROUP BUNCHED TOGETHER, HANDLE, MANAGE, CONTROL, ADMINISTER, CLUSTER OF FLASHES
　

樢

ト,チョウ,つた duck, vine, exceptionally long corkscrew-shaped twisted woody appendage

　BIRD with a WOODY
…or: WOODY with a BIRD
　

吅

× juxtaposed orifices, rowdy behavior; female-female relations

　multiple ORIFICES, MOUTHS
　

口

コウ,ク,くち orifice, mouth, cavity or passage of the body; an opening, aperture, vent

　ORIFICE
　

柬

カン,ケン,えら an invitation from the lord of the land, landowner; one's host; unable to resist, inviting; split open; prime choice, selected, the chosen ones; packed hard, deflowering a virgin

　MANAGE, CONTROL, ADMINISTER some EMISSIONS
…or: WOODY EMISSIONS (in BOTH SIDES)
…or: WOODY in ORIFICE with emphasis on both sides of orifice
　

鳥

チョウ,とり bird, chick

　OPEN-MOUTHED ARRAYED TENSE with MANY EMISSIONS
…or: OPEN TONGUING MOUTH and HAIRLESS IN HEAVEN, DIVINE with NO-LONGER-INTEGRATED FEET and MANY EMISSIONS
…or: HABITUATED to RAISED ROD and TENSE GASPING with MANY EMISSIONS
　

Meanings of elements

TISSUE TAGS within HAREM PROCEDURAL MANAGEMENT, EUNUCH
…or: DUCK, VINE, EXCEPTIONALLY LONG CORKSCREW-SHAPED TWISTED WOODY APPENDAGE with EMISSIONS in JUXTAPOSED ORIFICES
…or: AN INVITATION FROM THE LORD OF THE LAND, LANDOWNER, ONE'S HOST, INVITING, PRIME CHOICE, SELECTED, THE CHOSEN ONES, PACKED HARD with BIRD, CHICK
…or: DEFLOWERING A VIRGIN, UNABLE TO RESIST, SPLIT OPEN and BIRD, CHICK
…or: WOODY EMISSIONS in JUXTAPOSED ORIFICES with ROD RAISED GASPING and MANY EMISSIONS

[Japanese glyph] a favorite prey of THRUSHES are snails, which the bird whacks until the shell「splits open」or the animal meat inside can be extruded. The extruded meat of snails has a corkscrew shape similar to that of a duck penis, albeit considerably shorter (the snail that is) in most cases.
「Woody in juxtaposed orifices, vaginal canal and back orifice, rod raised gasping with many emissions」as a THRUSH fungal infection that can affect the genital areas, a mouth, and horse feet (see 馬 for the reasons why).

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Japanese EDRDG: thrush
Unihan extended: thrush; Turdus naumanni

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.