櫲 huge penis; musth; extreme male aggression; easily becoming aroused, erect, camphor tree 杼,象,橡,予,木,豫,

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MingLiU:

Mincho:

Gothic:

櫲

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On-yomi [ Toggle rōmaji ]

⺕
YO

Kun-yomi

くすのき
ku　su　no　ki

Glyph elements [ Toggle Font ]

杼

チョ,ショ,ひ,どんぐり shuttle, in-out-in-out shuttling motions repeated continuously, narrow and tapered, long-headed, septillion, scrub oak, re-erecting, standing again and again

　WOOD, WOODY STALK, STEM, WOODEN, A WOODY and TO GIVE TO ANOTHER, I MYSELF, PRIOR, OCCUR IN ADVANCE, PLENTY, SURPLUS, TO MANIFEST, TO EXPRESS AND INDUCE A DESIRED EFFECT, TO EXPRESS ONESELF FULLY AND UNRESERVEDLY
…or: WOODY with LORDOSIS POSITION
　

象

ショウ,ゾウ,かたど elephant, phenomenon, image, shape, pattern, imitate, to be modeled after, a sign of the times

　HEAD AND NECK, TWO-SIDED, ANIMAL THAT CANNOT RUN
…or: IN DANGER from VULVA, ROWDY JUXTAPOSED ORIFICES of OBESE ANIMAL
　

橡

ショウ,ゾウ,とち,くぬぎ horse chestnut, rubber tree, rubber; chestnut oak

　TREE, A WOODY and ELEPHANT, PHENOMENAL, SHAPE, IMITATE, TO BE MODELED AFTER
　

予

⺕,シャ,あらかじ to give to another, I myself, prior, occur in advance, plenty, surplus, to manifest, to express and induce a desired effect, to express oneself fully and unreservedly, lordosis position

　ON ALL FOURS and ROLLED BACK with STREAM
　

木

ボク,モク,き,こ～ wood, woody stalk, stem, wooden, a woody, tree, implanted, simple, simpleton, coffin, encased death, unfeeling, numb

　TWISTING a TAUT HEAD
…or: SCREWING EMISSIONS
…or: HAND on TAUT ROD
　

豫

⺕,シャ,あらかじ at ease, no worries

　EXPRESS ONESELF FULLY AND UNRESERVEDLY, LORDOSIS POSITION, IN ADVANCE, PLENTY and ELEPHANT, PHENOMENON, IMAGE, SHAPE, PATTERN, IMITATE, TO BE MODELED AFTER
　

Meanings of elements

SHUTTLE IN-OUT-IN-OUT MOTIONS REPEATED CONTINUOUSLY and ELEPHANT, PHENOMENON, IMAGE, SHAPE, PATTERN, IMITATE, TO BE MODELED AFTER, A SIGN OF THE TIMES
…or: HORSE CHESTNUT, RUBBER TREE, CHESTNUT OAK and PRIOR, OCCUR IN ADVANCE, PLENTY, SURPLUS, I MYSELF, TO GIVE TO ANOTHER, TO MANIFEST, TO EXPRESS ONESELF FULLY AND UNRESERVEDLY, LORDOSIS POSITION
…or: WOODY with NO WORRIES

「Woody like I am an elephant, phenomenal」or「woody with no worries」that can be easily aroused, erect. Having 50-60 times a normal level of testosterone in the bloodstream and brain causes a male specimen to feel like Superman, having「no fear, no worries, at ease and afraid of nothing.」Nevertheless, the same testosterone levels can cause virtually instant mood changes characterized by EXTREME MALE AGGRESSION, known as MUSTH:「…a periodic condition in bull (male) elephants, characterized by highly aggressive behavior and accompanied by a large rise in reproductive hormones. Testosterone levels in an elephant in musth can be as much as 60 times greater than in the same elephant at other times. However, whether this hormonal surge is the sole cause of musth, or merely a contributing factor, is unknown. Scientific investigation of musth is problematic because even the most placid elephants become highly violent toward humans and other elephants during musth, requiring segregation and isolation until they recover. Female elephants do not undergo musth.」
[ https://en.wikipedia.org/wiki/Musth 2013-09-04 ]

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.