礩 being grasped by the balls, untenable situation, to acquiesce unconditionally and beg for mercy; crushing foot bones to create disintegrated feet, amputation of fetid feet; plinth, foundation, base, cornerstone 斫,唄,員,斦,貝,石,質,

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MingLiU:

Mincho:

Gothic:

礩

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On-yomi [ Toggle rōmaji ]

シツ　･　シチ
SHI　TSU　･　SHI　CHI

Kun-yomi

いしずえ
i　shi　zu　e

Glyph elements [ Toggle Font ]

斫

シャク,き cut, chop off, lop off, to hack off, carving something wooden

　ARRAY of ERECTIONS and OBEY, COMPLY
…or: ROCKS and SUBTLY CRUEL OR MALICIOUS, SPITEFUL, PAWING AND SCRATCHING PRICK-TEASING
…or: TESTICLES with HATCHET
　

唄

バイ,うた reluctant, grudgingly complying, indicating a lack of enthusiasm; performed in only one way and no other, chanting, singing, reciting poems, ballads

　MOUTH beside CAULDRON
…or: ORIFICE of FLESHPOT
　

員

イン,× member, person(s) of a group, gathered around, cluster, clustering

　FLESHPOT ORIFICE
…or: a WEALTH of ORIFICE(S)
…or: ORIFICE as WEALTH
…or: ORIFICE with AIM, GOAL, EYEING EMISSIONS
　

斦

ギン,ゴン,シツ,シチ,あき multiple pawing cruel and spiteful hatcheting; two prick-teasers at once, a duet, tag-teaming, ganging up on [someone] or one another

　multiple SUBTLY CRUEL OR MALICIOUS
…or: multiple PRICK-TEASING, SPITEFUL CAT-LIKE BEHAVIOR PAWING AND SCRATCHING
…or: multiple HATCHETS
　

貝

バイ,かい wealth, money, valuable outer shell, fleshpot, valuable external appearance

　AIM, EYE ON GOAL of EMISSIONS
…or: EYEING EXPERIENCE with EMISSIONS
…or: CENTER OF FLESHPOT with EMISSIONS
　

石

セキ,シャク,コク,いし rocky or rock-like, stones, rocks, minerals

　LATERAL MOTION, ROD and HEAD SLIDING or ERECTION with ORIFICE, MOUTH, CAVITY OR PASSAGE OF THE BODY
　

質

シツ,シチ,たち,ただ,もと,わりふ to pawn, to pledge, hold hostage, given as collateral; trait, feature, essence, substance (material or matter), quality, or nature of something; ask, inquire

　doubly SUBTLY CRUEL OR MALICIOUS, PRICK-TEASING, SPITEFUL CAT-LIKE BEHAVIOR, PAWING AND SCRATCHING, HATCHET and FLESHPOT
…or: CLEARED OF GUNK TIME AND TIME AGAIN with EMIT DOWNWARD
…or: MULTIPLE PAWING PRICK-TEASERS AT ONCE, A DUET, TAG-TEAMING, GANGING UP ON with FLESHPOTS
　

Meanings of elements

CHOP OFF with HATCHET and FLESHPOT
…or: STONE with MULTIPLE PAWING CRUEL SPITEFUL HATCHETING, GANGING UP ON SOMEONE and VALUABLE OUTER SHELL
…or: ROCK-LIKE, STONES, TESTICLES and TO PAWN, TO PLEDGE, HOLD HOSTAGE, GIVEN AS COLLATERAL, TRAIT, FEATURE, ESSENCE, SUBSTANCE, QUALITY, NATURE OF SOMETHING

「Rock, stone」with「pawned, held hostage, the essence, traits and features」refers to smooth rocks used to roll upon and pulverize the bones in feet in order to create a saleable commodity, sexual service providers in China.「Rock and multiple pawing motions on fleshpot」to fully remove any internal sharp shards. A PLINTH is the STONE BASE of a statue, at the feet perhaps of a beautiful divine goddess, the starting point and foundation of the entire remainder of life as a sex slave.「Stones, testicles, rocks held hostage」describes being HELD BY THE SHORT HAIRS, or more likely, actually fully grasping the scrotum behind the balls, the BASE OF THE STONES.

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.