鰵 codfish, mother sucking the meat of male offspring, white croaker (fish) 毎,攵,敏,敏,魚,

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MingLiU:

Mincho:

Gothic:

鰵

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On-yomi [ Toggle rōmaji ]

ビン　･　ミン
BI　N　･　MI　N

Kun-yomi

いしもち
i　shi　mo　chi

Glyph elements [ Toggle Font ]

毎

マイ,ごと,～ごと frequently, frequency, repeating at a constant interval, one with another one in a designated sequential order [respectively], one by one, each time, every time; sliding rod head with reciprocal motions and screwing penetration within loosened disintegrated foot

　PROSTRATED, LAID OUT FLAT, ROD HEAD SLIDING with SCREWING and TENSE GASPS A LONG TIME then LOOSENED
…or: ROD HEAD SLIDING and SCREWING with TENSION AND GASPS while ROLLED TAUT AND TIGHT WITH SPRING-LIKE ACTION
…or: SLIDING ROD HEAD with PENETRATION merged with NO-LONGER-INTEGRATED FOOT
　

攵

ホク,× goad, coerce, force, incite action, prostrate and stroking, whacking

　SUPINE with PETTING CROSSING MOTION
…or: WHACKED and PROSTRATED
　

敏

ビン,さとい HTML entity: 敏 nimble, alert, keen, enlightenment, discerning, shrewd, clever, sensitive, rod head sliding frequently handling screwing erection with loosened disintegrated foot and with head in crotch

　FREQUENTLY, FREQUENCY, REPEATING AT A CONSTANT INTERVAL, ONE WITH ANOTHER ONE IN A DESIGNATED SEQUENTIAL ORDER, ONE BY ONE, EACH TIME, EVERY TIME with PROSTRATE AND STROKING, WHACKING, COERCE, FORCE, INCITE ACTION
…or: PROSTRATE with MOTHER while PROSTRATE and STROKING
　

敏

魚

ギョ,うお,さかな,～ざかな aquatic animals (refers not necessarily solely to "fish" in the modern cladistic sense, and includes cetaceans); wet and slippery meat, fishy smell, to catch a sucker

　HEAD AND NECK with CLOSED ORIFICE and MANY EMISSIONS
…or: DANGER, LOOKING UP and FILLED MOUTH with MANY EMISSIONS
…or: HEAD SLIDING and ROLLING, GASPING in SLURRY, MUCK ORIFICE with MANY EMISSIONS
…or: HEAD SLIDING and GASPING in RICE PADDY with MANY EMISSIONS
　

Meanings of elements

FREQUENTLY REPEATING AT A CONSTANT INTERVAL, ONE WITH ANOTHER ONE IN A DESIGNATED SEQUENTIAL ORDER, ONE BY ONE, EACH TIME, EVERY TIME with INCITE ACTION, WHACKING with FISH
…or: ENLIGHTENMENT, DISCERNING, SHREWD, CLEVER, SENSITIVE, NIMBLE, ALERT, KEEN MOTHER-CHILD INTIMACY with WET AND SLIPPERY MEAT
…or: EACH ONE-BY-ONE and WHACKED, KEEN, SHREWD, CLEVER, MOTHERFUCKING and FISH

A mother fish that eats the meat of (and devours) its own offspring when given the opportunity. In the case of these fish, the mother does the fucking of her offspring by tail whacking to stun and then sucking the meat into her mouth. With humans too, mother-fucking most often is instigated by the mother whacking and eating her offspring while still a small fry, taught as behavior and learned as a child. Perhaps this is behind the reason why a codpiece was named after the codfish. Not many small boys are capable of overpowering a full-grown adult female, and not many adult males actually select their mother as rape subjects.「Fishy and complicated in great numbers rampant trouble penile emissions under nimble keen clever sensitive rod head sliding frequently handling screwing erection with loose gasping and with crotch head.」

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Unihan extended: codfish
EDRDG: codfish

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.