籥 flutes, fluted; key, flute 答,笧,亼,品,竹,龠,

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MingLiU:

Mincho:

Gothic:

籥

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On-yomi [ Toggle rōmaji ]

ヤク
YA　KU

Kun-yomi

ふえ
fu　e

Glyph elements [ Toggle Font ]

答

トウ,こた answer, reply, response, agreement, the solution to a problem, to echo, return the same sound

　BAMBOO, BOWING OVER, KOWTOWING, LORDOSIS and CONSENTING, JOINING TOGETHER, UNITING, PERSON'S ROD IN FRONT OF ORIFICE
　

笧

サク,しがら to entwine around; measure river, tidal, or sea current flow using a weir, fish trap, trap for fishy-smelling wet slippery meat

　BAMBOO, BOWING OVER and OFFICIAL RECORDS, REGISTRY, JOURNAL
…or: LORDOSIS POSITION with SEVERAL ARRAYED SPREAD LEGS
　

亼

シュウ,ジュウ,あつまる aligned assembly of [something] before [someone], person's rod

　PERSON with marker
…or: ARRAYED before a PERSON
…or: PERSON and ROD
　

品

ヒン,ホン,しな the merchandise, fungibles, commodities, goods, quality, grade, rank

　(many, many) ORIFICES, JUXTAPOSED ORIFICES in all positions
　

竹

チク,たけ bamboo, bowing over, kowtowing, lordosis, flexible

　HEAD DOWN with PROSTRATE STREAM
…or: HEAD of ROD DOWN and HEAD OF MALE BLASTING DISCHARGE
…or: PERSON PROSTRATE with ROD and MALE HEAD BLASTING DISCHARGE, HEAD STREAMING AN ARRAY
　

龠

ヤク,ふえ harem first-string line-up in front of the emperor; flute, ancient unit of volume of about 50ml or 2 ounces, instruments resembling pipes, set of bougies in various sizes

　JOINING TOGETHER, FIT JUXTAPOSE UNITE with many ORIFICES of the OFFICIAL REGISTER OF CONCUBINES
…or: PROPERLY ALIGNED CORRECTLY ARRANGED, LOGICALLY METHODICALLY with many ORIFICES, MOUTHS, CAVITIES with ARRAY OF SPREAD LEGS
　

Meanings of elements

ANSWER, REPLY, RESPONSE, ECHO with ENTWINE, MEASURE CURRENT FLOW, FISHTRAP and AN ASSEMBLY THE MERCHANDISE
…or: BAMBOO, BOWING OVER, KOWTOWING, LORDOSIS, FLEXIBLE with HAREM FIRST-STRING LINE-UP IN FRONT OF THE EMPEROR, FLUTE, ANCIENT UNIT OF VOLUME OF ABOUT 50ML OR 2 OUNCES
…or: LORDOSIS with ASSEMBLY LINE UP of MANY ORIFICES of the OFFICIAL REGISTER OF CONCUBINES

「Lordosis with assembly line up of many orifices of the official register of concubines, array of spread legs」results as FLUTED, FLUTES in view, referring specifically to the fluted labia lined up while in lordosis of a string of harem concubines. A KEY is only useful when inserted fully into a KEYHOLE and then screwed, twisted until unlocked, with the fluted entryways as the keyholes, naturally.「Response measuring current flow, fishtrap of an assembly of the merchandise, orifice goods」also seems to reference labial flutes and key holes more than it does a woodwind flute. Nonetheless,「echo, response and line up of holes with bamboo」and so on also describes a musical instrument. A Chinese jiangdi is purported to be a three-holed flute. KEY may well also refer to a musical KEY rather than a device that opens locks.
　Frankly, both explanation are plausible with these elements that remain ambiguous, yet this glyph contains an element meaning「fishtrap, snare for slippery meat, fishy smells」that may not be easily identifiable with musical notes, but are so with vaginal flutes (and perhaps metal keys) from time to time. However in the only JIS instance in which this appears as an element (籲「head down cogitating」within this glyph) meaning 'beg, implore, appeal to, request' it does seem apparent that labial flutes of emperor-level concubines would more likely be the subject of intense begging, praying for earnestly, urgent and anxious appeals and so forth, rather than merely a woodwind with three holes.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: flute; key
Unihan extended: key; woodwind instrument
EDRDG: three-holed flute

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.