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SHI N
su su mu
Glyph elements [ Toggle Font ]
Needless to point out perhaps is that「rod with shaft in spurting stance and with a tonguing mouth」will necessarily cause one or both parties to the transaction to PHYSICALLY ADVANCE TO A MORE FORWARD POSITION. And what client would not wish a service provide to PROCEED with such a service by all means?
Shaman's plan of adding more clients simultaneously to a single service provider not only increased client satisfaction, reduced waiting times in line, and engaged idle resources, but also greatly boosted revenues. Depicts ADVANCEMENT, as the「wide array」of services offered by the witch doctor that were structured as a segmented vertical conglomerate and integrated so that one level was always feeding clients to the next one up the chain.「Array of rod emissions upward bursting from two shafts and tonguing mouth, rod in orifice」depicting the first professions and intensely studied business endeavors, those of operating a shaman's sex shrine/ religious temple/ medical practice/ accounting firm/ concubine foot-dis-integrating and training facility/ fortune telling services/ wholesaling and retailing of young girls as sex slaves, and so on. Original glyph elements of「multiple utmost climaxes to the fullest extent possible, extreme and reach the peak, arrive at the goal, array of loose and dripping short legs with night soil and tonguing mouth」(㬜) that says it all.
Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: to move forward; to promote; to advance; the Jin Dynasties (265-420); Western Jin 西晉|西晋 (265-316), Eastern Jin 東晉|东晋 (317-420) and Later Jin Dynasty (936-946); short name for Shanxi province 山西
Japanese: Jin
Unihan extended: advance, increase; promote
EDRDG: advance
Used within names (nanori)
すすむ ・ ゆき ・ くに ・ すすみ ・ のぶ
Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment
(see 籒 for that)
and represented Chinese society many thousands of years ago, and not as a written or spoken language.
If these glyphs had been intended for language use, the sages could not have possibly designed a worse system.
Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is!
Sex had no shame in ancient China. Why would it? And now, there is a cover-up.
No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else.
This site describes glyph meanings, not people.
These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect.
The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language?
(More...)
Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?
By the way, with a limited number of the same elements used by the sages again and again to form these glyphs,
you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary.
This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.
Primal elements
Japanese vocabulary: 7 entries
Chinese usage: 35 entries
Used in glyphs (or, see also): 5 entries
Related glyphs [ Toggle font ]
Similar glyphs with related meanings: 15 entries
- Glyph.03401
- Strokes: 10
- jlpt-N2 grade_09
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This publication has included material from the JMdict (EDICT, etc.) dictionary files in accordance with the license provisions of the Electronic Dictionaries Research Group.
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