脊 spine, backbone, ridge, the backside, the rear end, natural height in an upright position 冫,丷,䏌,ハ,人,月,⺼,

注意：このページには、一部の読者にとって不快または不適切な内容が含まれている可能性があります。
Note: This page may contain content that is offensive or inappropriate for some readers.

MingLiU:

Mincho:

Gothic:

脊

Login Welcome!　Introduction
Glyphs missing from your font set may appear strange, or not at all. We recommend enabling East Asian language support.

On-yomi [ Toggle rōmaji ]

セキ
SE　KI

Kun-yomi

せ　･　せい
se　･　se　i

Glyph elements [ Toggle Font ]

冫

ヒョウ,こおり drip by drip; cooling process, congeal, change between two physical states, to freeze up, cease motion

　variant of TWO
…or: emphasis marker DRIP with HEAD SLIDING
　

丷

× emit upward

　EMISSIONS, EMIT DROPS
　

䏌

× booty dancers, jiggling, vibrating, chorus line of singing girls dancing during the rites of spring, shaking one's money-maker, twerking for coin, fan-dancing, to survive by employing one's native talents and skills, good vibrations, meat offerings, mooned offerings, buzzing, spurting meat

　EMIT and BODY MEAT
…or: SPLIT and FLESH
…or: ENDLESS LINE of MEAT MOONING
　

ハ

× HTML entity: ハ emit downward

　EMISSIONS, EMIT DROPS
…or: HEAD TAUT
　

人

ジン,ニン,ひと,～り,～と person, a man, male adult

　HEAD or ERECT with TAUT, STRETCHED
　

月

ゲツ,ガツ,つき proceptivity; month; the Moon, lunar positions, lunar phases; mooning position, meat, meat phases

　ERECT in HIGH TENSION with TWO ORIFICES over-under inside SPREAD LEGS
…or: ERECTION DRIPPING in NO-LONGER-INTEGRATED FOOT, TENSE GASPS
…or: A REASON FOR TONGUING MOUTH within SPREAD LEGS
…or: ROD within ORIFICE within SPREAD LEGS
　

⺼

× HTML entity: ⺼ body meat or flesh; meat of disintegrated feet; chicks and bunnies

　ERECTION and CLEVER with DROPS
…or: STIFF with CONGEALING and WRAPPED NO-LONGER-INTEGRATED BONES
…or: QUICK MOVEMENTS with FLEDGLING WING
　

Meanings of elements

STICKY FLUIDS, EMISSIONS DRIPPING ON ALL SIDES with PERSON'S MEAT
…or: STICKY FLUIDS, EMISSIONS ON ALL SIDES of PERSON with ERECTION in NO-LONGER-INTEGRATED FEET OF CHICKS AND BUNNIES
…or: TWO PERSONS with TWO MEATS
…or: PERSON in MOONED MEAT and ONCE, ONCE AGAIN and TWICE more

Likely related with「two sitting people back-to-back, losers, cold」(背), with「meat」to describe a working posture of service providers. Today, some fonts display「two person and two meat」perhaps referring to a service provider flat on her BACKSIDE with two clients, the most reasonable position for both no-longer-integrated feet raised and being put to use simultaneously. Other fonts use「cold, congealed, emission to left side」「person inside sticky fluids splat」「emission to right side, congealed, cold」with「meat」that is not likely referring to spinal fluid. Note that animals without backbones fall over, not unlike feet without bone. And not coincidentally, the glyph's shape resembles vertebrae of humans when separated into individual bones and the surrounding meat has been removed.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: spine; back; ridge
Japanese: back, spine, reverse, rear side, height, ridge, stature
Unihan extended: spine, backbone; ridge
EDRDG: stature; height

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.