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  • Glyph.00351
  • Strokes: 04
  • jlpt-N4 grade_02


MingLiU:
Mincho:
Gothic:
引
引

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On-yomi   [ Toggle rōmaji ]
イン
I N
Kun-yomi
ひ(く ・ ひ(き ・ ひ(き~ ・ ~び(き ・ ひ(ける
hi ku ・ hi ki ・ hi ki~ ・ ~bi ki ・ hi ke ru

Glyph elements  [ Toggle Font ]

Meanings of elements
NO-LONGER-INTEGRATED FOOT END-TO-END with ROD
…or: ARCHED SHAPE with RECIPROCATING MOTION
「Archery bow vertical」depicting what must be performed first in order to use an archery bow: set one end of the「bow vertically」on the ground butting against the bottom inside arch of one foot while supporting yourself with the other leg, pushing down on the upper end of the bow using one's body weight and then PULLING UP VERTICALLY on the bowstring, looping the string end over pre-cut notches on the end of the bow. The bowstring of an archery bow must be loosened each time after use or else the bow will lose strength within the spring tension of the bent wood and weaken…PULL TOWARD ONESELF. This same sort of action was used to rebind no-longer-integrated feet by pushing the curled toes under the foot in the direction of the heel while looping the bindings over the ends and PULLING UP firmly while placing the bottom arch of the puller's foot against the back of her heel.
After arming the bow by inserting an arrow (literally being 'nocked up'), the bowstring was then repeatedly PULLED TOWARD SELF as each shaft was discharged. This same sort of action was used also after arming the arch of a no-longer-integrated foot with the penis inserted,「foot-binding cloth when removed and rod in reciprocating motions」to describe PULLING on the no-longer-integrated foot of a service provider and discharging one's shaft, perhaps more than once.
Nevertheless,「foot-binding cloth and rod in reciprocating motion」as well as the older version of this glyph,「talented hands with unbound foot cloths」(㧈), describes more fully some other meanings: TO INTRODUCE ONE THING INTO ANOTHER, TO GUIDE INTO, TO PULL INTO and TO PULL OUT OF, SUBTRACT, to QUOTE, to SEDUCE, action of a JERKING MOTION: first,「unbind the foot cloths」to INTRODUCE the foot slit, and then GUIDE the motion of the stiffened appendage into the no-longer-integrated foot, PULLING INTO, PULLING TOWARD self in a repeating, cyclic motion as if an ATTRACTION existed that could not be resisted, and then to PULL OUT again, repeating the sequence of reciprocating motions until satisfied with the results. To QUOTE is to PULL OUT some words spoken from a longer speech.
Sequentially discharging arrows from an archery bow entails performing essentially these same motions, noting that the glyph meaning 'arrow' also refers to multiple penile discharges (矢) More duality from the clever sages, no doubt.

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: to draw (e.g. a bow); to pull; to stretch sth; to extend; to lengthen; to involve or implicate in; to attract; to lead; to guide; to leave; to provide evidence or justification for; old unit of distance equal to 10 丈 , one-thirtieth of a km or 33.33 meters
Japanese EDRDG: pull, tug, jerk, admit, install, quote, refer to
Unihan extended: to pull, draw out, attract; to stretch

Used within names (nanori)
いな ・ ひき ・ ひけ ・ びき

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.



Japanese vocabulary: 894 entries


Chinese usage: 166 entries


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  • Glyph.00351
  • Strokes: 04
  • jlpt-N4 grade_02

   


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