這 just so, like this, in this way, this, here; to grovel, to creep, to crawl, confusedly, perplexity, leaving a trail 辷,丶,一,口,辶,言,

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MingLiU:

Mincho:

Gothic:

這

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On-yomi [ Toggle rōmaji ]

シャ　･　ゲン
SHA　･　GE　N

Kun-yomi

は(う　･　は(い　･　むか(える　･　この
ha　u　･　ha　i　･　mu　ka　e　ru　･　ko　no

Glyph elements [ Toggle Font ]

辷

×,すべ smooth, slippery; slide or skate; to fail; sliding with feet

　STEPS, FOOT MOTION and LATERAL MOTION
…or: ROD with emphasis on TWO NO-LONGER-INTEGRATED FEET and TAUT
　

丶

チュ,× emphasized part of a glyph

　[emphasis is HERE in a glyph]
　

一

イチ,イツ,ひと～ horizontal, array of items, reciprocating lateral motion, indicates width or extent, one segment, rod stalk or stem

　SIDE TO SIDE, BACK AND FORTH
　

口

コウ,ク,くち orifice, mouth, cavity or passage of the body; an opening, aperture, vent

　ORIFICE
　

辶

チャク,しんにょう HTML entity: 辶 foot motions, motion of feet, something in motion, taking steps

　DRIPPING, DRIP BY DRIP, ONE DROP AFTER ANOTHER, COOLING PROCESS, CONGEALING, CHANGE BETWEEN TWO PHYSICAL STATES, CEASE MOTION with TAUT NO-LONGER-INTEGRATED FOOT OF CHINESE FEMALE
…or: DOUBLED EMPHASIZED with TENSION, STRESS WITH SPRING-LIKE ACTION, FOOT and STRETCHED TAUT, THE OTHER SIDE TOO
　

言

ゲン,ゴン,い,こと intercourse oral or otherwise, to say or speak words, sexual activity and foreplay

　MANY LINES with MOUTH
…or: MANY RODS with ORIFICE
…or: PALM on ROD with HORIZONTAL RECIPROCATING MOTIONS and ORIFICE
　

Meanings of elements

SMOOTH, SLIPPERY, SLIDE OR SKATE IN with EMPHASIS, THIS IS THE POINT, THIS SPOT RIGHT HERE and ONCE AND ONCE AGAIN with ORIFICE
…or: FAILED with PALM CONTROL on ROD and ORIFICE
…or: PALMING CONTROL of SLIPPERY ROD IN RECIPROCATING MOTIONS LATERALLY with MOUTH
…or: STEPS OF, FEET AND OTHER MOTIONS with ORAL INTERCOURSE SEXUAL FOREPLAY

「Motions of oral intercourse」that in Chinese means JUST SO, LIKE THIS, DO IT THIS WAY. In any case, no matter how one attempts it,「motions of oral intercourse」require one or both participants to GET DOWN, DIVE, KNEEL, STOOP, or if prostrate to CRAWL ON ONE'S BELLY LIKE A REPTILE. As the parties crawl around and squirm, very often a SLIME TRAIL is laid down below the point of oral contact as a result of a copious release of fluids, if performed properly (and this trail has nothing to do with vines).
　In Japanese,「feet motions of intercourse」may have been CONFUSING, just as why「palming control of rod or orifice failed」…culturally, the Japanese did not use no-longer-integrated feet for sexual intercourse as a general rule, and may have been perplexed somewhat by the practice (let's hope, anyway).
　Vines do not possess the physical structure to permit standing alone, hence vines creep along the soil until an erect tree, wood (木) or woody is located, at which time the parasitic vine begins to wrap itself around the erect wood and climb, using the host for support. These same attributes may have been applicable to a person with pulverized feet bones who has become a service provider, with rods slipping and sliding in those surrogate orifices, particularly if the service provider was purchased and carried home to become a part of the herd of meat assets.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: this; these; (commonly before a classifier, esp. in Beijing)
Japanese: to creep, to crawl, confusedly, perplexity
Unihan extended: this, the, here
EDRDG: crawl; creep; grovel; trail (vines)

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.