混 churning and swirling, clustered, turbulent, crowding, packed into, confused; muddied, dirty, turbid; to mix, mingle; muddled, drifting, thoughtless, reckless, careless 汩,比,沘,曰,氵,昆,

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MingLiU:

Mincho:

Gothic:

混

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On-yomi [ Toggle rōmaji ]

コン
KO　N

Kun-yomi

ま(じる　･　～ま(じり　･　ま(ざる　･　ま(ぜる　･　こ(む
ma　ji　ru　･　～ma　ji　ri　･　ma　za　ru　･　ma　ze　ru　･　ko　mu

Glyph elements [ Toggle Font ]

汩

コツ,イツ,ベキ,しず to sink or drown, to be suffocated with fluids

　FLUID and TONGUE SHOWN IN MOUTH
　

比

ヒ,くら comparison, to compare, to rate, to be near or close to, almost the same but with some differences, a peer, a contest or competition to decide the top choice; hand gestures, motions with hands stroking, time period and billing occurrence, in proportion to [time, ability, class level, etc.]

　two PERSONS SITTING
…or: ROD RAISED with HEAD SLIDING IN a SERVICE PROVIDER
…or: RAISED LEG with ROD of SITTING PERSON, DIVA
…or: CONCUBINE with another CONCUBINE
　

沘

ヒ,× river name

　SPURT, BLOW OUT, EJACULATE, WASH, RINSE CLEAN with PERSON WHO MUST REMAIN SITTING MOST OF THE TIME, DEVICE FOR SCOOPING FLUIDS, PERSON WITH NO-LONGER-INTEGRATED FEET, DEVICE FOR GATHERING OR COLLECTING FLUIDS FOR A BRIEF TIME, SEXUAL SERVICES PROVIDER
…or: FLUID and HANDS IN STROKING MOTIONS, HAND STROKING OF SHAFTS
　

曰

エツ,いわ,のたま,ここに tonguing something, tongue in a mouth, speak, say; having a reason to do something, pretending, a pretext, excuse given to hide the true reason for something, rod within orifice or mouth

　ROD in ORIFICE, MOUTH
…or: ORIFICE, MOUTH and ARRAYED
…or: RAISED ROD in CAVITY CONTAINMENT
…or: DIVINE, DIVA with IN-OUT, END-TO-END
　

氵

×,さんずい fluidity, fluid

　emphasis on MANY DRIPS, DRIPPING, COOLING PROCESS
…or: MANY TIMES DROPS
　

昆

コン,× descendants, multitude, tangled mass of living things, swarming, insect; elder brother

　ARRAY in BLAME
…or: TALK of CONCUBINES
…or: ARRAYED in ORIFICES of MANY CONCUBINES
…or: SPEAKS, TONGUING MOUTH with CONCUBINE COMPARISONS
…or: TONGUE IN MOUTH, SAY and SITTING ON BUTTOCKS, ALMOST THE SAME
…or: SPEAKS of HANDS IN STROKING MOTIONS, HAND STROKING OF SHAFTS
　

Meanings of elements

SINK OR DROWN and COMPARISON, BE NEAR OR CLOSE TO, ALMOST THE SAME BUT WITH SOME DIFFERENCES, TIME PERIOD AND BILLING OCCURRENCE, IN PROPORTION TO TIME WITH MANY SERVICE PROVIDERS
…or: RIVER of FLUIDS with TONGUING MOUTHS
…or: FLUID and ONE'S DESCENDANTS, TANGLED MASS OF LIVING THINGS, SWARMING INSECTS, ELDER BROTHER
…or: FLUIDS with MULTIPLE SERVICE PROVIDERS and TONGUING MOUTH

「Flow of the tangled masses, a multitude」that describes city life (those places crowded with humans) as CHURNING, CONFUSED, CRAMMED, DIRTY, RECKLESS and THOUGHTLESS.「Flow of tonguing mouths with multiple concubines」as THOUGHTLESS, RECKLESS, CARELESS, TURBULENT and TURBID, PACKING IT IN, MUDDLED and CROWDED.「Fluids flowing of elder brother」describes both his activities and his infected condition.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: to mix; to mingle; muddled; to drift along; to muddle along; to pass for; to get along with sb; thoughtless; reckless; confused; dirty; to mix; muddy; also written 渾|浑
Japanese: to be crowded, to be packed, to be complex, copious, to be mixed, to be blended with, to associate with, to mingle with, to join, mingled, to be mixed in with, to blend with, to interest, to mix, to stir, jumble
Unihan extended: to mix, blend, mingle; to bumble along
EDRDG: mix; blend; confuse

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.