晦 dark, at night, unclear, obscure, to abscond, to conceal oneself, to deceive, dissemblance, to fool, dizzy dazzle, disorient, to be unlucky, disappear, sneaking out and sucking cream at night 日,曰,𠂉,く,习,ㄅ,一,冫,每,

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MingLiU:

Mincho:

Gothic:

晦

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On-yomi [ Toggle rōmaji ]

カイ
KA　I

Kun-yomi

つごもり　･　くら(い　･　みそか　･　くら(む
tsu　go　mo　ri　･　ku　ra　i　･　mi　so　ka　･　ku　ra　mu

Glyph elements [ Toggle Font ]

日

ニチ,ジツ,ひ,～び,～か Sun, day, bright and flashing, brilliant, heat, hot

　CIRCLE DIVIDED
…or: TWO STACKED ORIFICES
　

曰

エツ,いわ,のたま,ここに tonguing something, tongue in a mouth, speak, say; having a reason to do something, pretending, a pretext, excuse given to hide the true reason for something, rod within orifice or mouth

　ROD in ORIFICE, MOUTH
…or: ORIFICE, MOUTH and ARRAYED
…or: RAISED ROD in CAVITY CONTAINMENT
…or: DIVINE, DIVA with IN-OUT, END-TO-END
　

𠂉

× HTML entity: 𠂉 prostrated, prone, supine, laid out flat

　THE HEAD with BOUGIE INSERTED
…or: HEAD and HORIZONTAL
　

く

× HTML entity: く loose amorphous shape potentially odoriferous

　UNBOUND
　

习

× studied practice forming a habit; feathers, fledgling chicks

　HIGH TENSION LONG TIME WITH GASPS and STIFF, CONGEALING
…or: SLY AND CUNNING with emphasis marker inside
…or: DROPS in NO-LONGER-INTEGRATED FOOT
　

ㄅ

× tension, gasping, taut spring-like action, painful stress, bound foot

　ELASTIC POTENTIAL STRAIN ENERGY, FLEXIBLY BENDED AND SPRINGY, FLECTURE TENSION
　

一

イチ,イツ,ひと～ horizontal, array of items, reciprocating lateral motion, indicates width or extent, one segment, rod stalk or stem

　SIDE TO SIDE, BACK AND FORTH
　

冫

ヒョウ,こおり drip by drip; cooling process, congeal, change between two physical states, to freeze up, cease motion

　variant of TWO
…or: emphasis marker DRIP with HEAD SLIDING
　

每

マイ,バイ,つね frequently, frequency, repeating at a constant interval, one with another one in a designated sequential order [respectively], one by one, each time, every time

　PRONE, SUPINE, PROSTRATE with MOTHER
…or: SLIDING ROD HEAD WITH RECIPROCAL MOTIONS and MOTHER
…or: SLIDING ROD HEAD WITH RECIPROCAL MOTIONS and emphasis on ROD in both sides of FEMALE
　

Meanings of elements

24-HOUR DAY, FLASHING, BRILLIANT, HEATED, HOT! and FREQUENTLY, REPEATING AT A CONSTANT INTERVAL, ONE AFTER ANOTHER ONE IN A DESIGNATED SEQUENTIAL ORDER, ONE BY ONE, EACH TIME, EVERY TIME
TONGUING SOMETHING IN A MOUTH, SPEAK HAVING A REASON TO DO SOMETHING, PRETENDING, A PRETEXT, EXCUSE GIVEN TO HIDE THE TRUE REASON FOR SOMETHING, ROD WITHIN ORIFICE OR MOUTH and FREQUENTLY REPEATING
…or: ROD PENETRATING FEMALE WITH ENLARGED BREASTS with TONGUING MOUTH below SLIDING ON ROD HEAD

Usage of this glyph, with elements of「each and every day sequentially」generally refers to a married woman who entertains SECRET lovers other than her husband, i.e., a cuckold, who DISGUISES and CONCEALS her true nature, motives, and feelings behind a FALSE APPEARANCE in order TO FOOL her legal mate. A wife who can't have just one, but instead is a「female with large breasts and tonguing mouth sliding on rod head」to DAZZLE her male neighbors and husbands of her friends, SECRETLY sucking up the cream of the crop「every day in sequence」to have a spunky taste of them all in turn, la crème de la crème.
　「Every day, one after another in sequential order」as UNLUCKY, DECEIVED, DIZZY, DISORIENTED, FOOLED and so on is a simple assessment of the husband of such a woman.
　Japanese pronunciation also suggests「sound change」that may have been related to the different shapes and sizes of the shafts being fellated each night, the「betcha can't eat just one」sort of sound changes. Also refers to the end of each month, under the lunar calendar of the past and not what is generally in use today, since the NIGHTS around the new moon would be DARK and easier for her to CONCEAL herself on the way out of her husband's home and onto the pricks of others to lick up the spurted cream.
　Another rendering refers to MISO, a fermented pasty brown, slightly salty bean and sticky seed splats of rice mixture that is suggestive of the sort of slurry concocted by「rod within orifice and frequently repeating」(but neither the mouth nor the vaginal orifice in this case), as in「rod thoroughly all-in a loose misshapen penetration with cleverness, dripping, and tense gasps with a long time of sliding rod head and excuse given to hide the true reason for something.」

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: dark; night; unlucky
Japanese: last day of the month, to be dazzled by, to be dizzied by, to be disoriented by, to be lost in, to become dark, to abscond, to conceal oneself, to deceive, to dissemble, to fool
Unihan extended: dark, unclear, obscure; night
EDRDG: dark; disappear

Used within names (nanori)
もり

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.