弻 rescue, save from a difficult situation; to increase elasticity, to bend further 弜,コ,ㄅ,一,人,口,弓,

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MingLiU:

Mincho:

Gothic:

弻

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On-yomi [ Toggle rōmaji ]

ヒツ
HI　TSU

Kun-yomi

たす(ける　･　ゆだめ
ta　su　ke　ru　･　yu　da　me

Glyph elements [ Toggle Font ]

弜

キョウ,ゴウ,つよ,つよいゆみ strong odor, disintegrated foot set, using both disintegrated feet simultaneously, loose bindings from both feet, doubled arches double your pleasure, double your fun

　ARCHED NO-LONGER-INTEGRATED FOOT FOLDED OVER END-TO- END (two, as a set)
　

コ

× HTML entity: コ bent until the two ends of something make contact or nearly so, something folded over onto itself, end-to-end, in-and-out, side-to-side, bent and folded in half

　CONTAINED, FOLDED OVER
　

ㄅ

× tension gasping taut spring-like action, unbound busted foot of dynastic China, painful stress

　ELASTIC POTENTIAL STRAIN ENERGY, FLEXIBLY BENDED AND SPRINGY, FLECTURE TENSION
　

一

イチ,イツ,ひと～ horizontal, array of items, reciprocating lateral motion, indicates width or extent, one segment, rod stalk or stem

　SIDE TO SIDE, BACK AND FORTH
　

人

ジン,ニン,ひと,～り,～と person, a man, male adult

　HEAD or ERECT with TAUT, STRETCHED
　

口

コウ,ク,くち orifice, mouth, cavity or passage of the body; an opening, aperture, vent

　ORIFICE
　

弓

キュウ,ゆみ arched curved shape, bow-shaped, secant, squeezed disintegrated foot touching toe ball to heel, weaponized foot, weaponized arch

　BENT UNTIL THE TWO ENDS OF SOMETHING MAKE CONTACT OR NEARLY SO, SOMETHING FOLDED OVER ONTO ITSELF, END-TO-END, IN-AND-OUT, SIDE-TO-SIDE with EXTREME TENSION, STRESS WITH PAIN AND GASPS, ROLLED TAUT AND TIGHT WITH SPRING-LIKE ACTION, NO-LONGER-INTEGRATED FOOT OF CHINESE FEMALE
　

Meanings of elements

ROD of PERSON'S TAUT ERECTION inside ORIFICE within TWO NO-LONGER-INTEGRATED FOOT ARCHES
…or: ROD of PERSON'S TAUT ERECTION inside SPREAD LEGS ARRAYED within TWO NO-LONGER-INTEGRATED FOOT ARCHES
…or: THIRD OF A SERIES within SET OF NO-LONGER-INTEGRATED FEET

Elements may not need further explanation, although note that placing「multiple archery bows in fixed and immovable positions」(as 丙 with 'rod') severely limits the utility, aiming function, accuracy, effectiveness, and convenience of reloading or discharging the weapons, and is not likely the meaning of this glyph despite what some sources suggest.
　BENDING FURTHER occurs when a no-longer-integrated foot is wrapped around the girth of an erect penis, and then squeezed with INCREASING ELASTICITY (of the arch) to provide the desired amount of internal pressure on the gland until ejaculation occurred:「Bound feet were once considered intensely erotic in Chinese culture…Qing Dynasty sex manuals listed 48 different ways of playing with women's [no-longer-integrated] bound feet」(after removing the binding cloths, of course)
　　[　https://en.wikipedia.org/wiki/Foot_binding 2012-12-17　]　
　To RESCUE, SAVE FROM A DIFFICULT SITUATION may have applicability to a horny client, but not too likely: perhaps「third in a sequence between two no-longer-integrated foot arches」referred to the service provider in dynastic China who first was expected to orally pleasure a client (see 弼), then vaginally, and thirdly to allow climax within the surrogate orifices created within her no-longer-integrated feet (anal was always the final service menu item, and naturally involved surcharges as other glyphs clearly indicate).

External source definitions
none located, and you ought to ask yourself, why not?
definition speculated from combining the elements, or, from usage in other glyphs

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.