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On-yomi   [ Toggle rōmaji ]
カ ・ ケ
KA ・ KE
Kun-yomi
くい
ku i

Glyph elements  [ Toggle Font ]

Meanings of elements
TREE, WOOD and FALSE STEPS, FALSE PROGRESS
「Woody with false progress」as a citrus fruit with a full, round shape and thick yellow and dimpled skin resembling a fattened buttock, perhaps of a service provider who became so due to lack of exercise from having crushed feet bones.「Woody with false steps」as a citrus fruit with a skin peel so thick that the person attempting to reach the inner fruit may believe what is being peeled is not a fruit at all.「Woody for buttocks hole used in steps, stages with folded over motion in crotch」that refers to a BREECH, and the BUTTOCKS, RUMP of a very fat person with a thick outer layer, so fat that most anywhere in the buttocks might substitute for the intended target, a「woody making false progress, with false steps.」
 A wooden CANGUE suggests a very thick outer layer before reaching the「inner meat」of the fruit. A Chinese CANGUE is a thick, large, heavy wooden collar placed around the neck of a prisoner similar to a yolk or a pillory, except that the boards are not attached to anything other than the prisoner and must be carried everywhere, in the same manner as corpulent concubines with no-longer-integrated feet needed to be carried everywhere. Cangues were large enough to prevent the prisoner from feeding himself, or scratching his own nose, or escaping, and so on, and very large people indeed have difficulty reaching various parts of their own skin and body at times. If no one assisted the prisoner, slow starvation would result.
  [ http://www.chinaknowledge.de/History/Terms/penal_jia.html 枷號 枷禁 枷令 枷稍 枷示 ] 

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: (grapefruit)
Unihan extended: pompelmous; cangue (breech, rump, buttock)
EDRDG: pompelmous; cangue

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.


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