絹 thick stiff threads, snow peas, mangetout, sugar peas, edible green pods, to eat it all, swallow everything, finish, completed action 幺,丨,ハ,糸,口,一,冂,曰,肙,

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MingLiU:

Mincho:

Gothic:

絹

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On-yomi [ Toggle rōmaji ]

ケン
KE　N

Kun-yomi

きぬ
ki　nu

Glyph elements [ Toggle Font ]

幺

⺕ウ,ちいさい tiny smallest youngest, most tender, the one, professional care needed, never-ending, figure-eight shape; shouting screaming hollering what!?

　LOOSE UNBOUND with DRIPPING STENCH CLOUD
…or: emphasis on even more emphasis on LOOSE DRIPPING STENCH, SELF SECRET PRIVATE
　

丨

コン,シ,ジョ,ニョ,すす,しりぞ vertical, reciprocating motion vertically, rod stalk or stem while vertical

　TOP TO BOTTOM, BOTTOM TO TOP, UP-DOWN
　

ハ

× HTML entity: ハ emit downward

　EMISSIONS, EMIT DROPS
…or: HEAD TAUT
　

糸

シ,いと stringy stinky and silk-like

　TINY SMALLEST YOUNGEST with EMISSION STREAM
　

口

コウ,ク,くち orifice, mouth, cavity or passage of the body; an opening, aperture, vent

　ORIFICE
　

一

イチ,イツ,ひと～ horizontal, array of items, reciprocating lateral motion, indicates width or extent, one segment, rod stalk or stem

　SIDE TO SIDE, BACK AND FORTH
　

冂

キョウ,ケイ,× widely spread legs, surrounding outer edge

　VERTICAL RECIPROCATING MOTION, ROD with TENSION TIGHT SPRING-LIKE ACTION, NO-LONGER-INTEGRATED AND BOUND FOOT OF CHINESE FEMALE
　

曰

エツ,いわ,のたま,ここに tonguing something, tongue in a mouth, speak, say; having a reason to do something, pretending, a pretext, excuse given to hide the true reason for something, rod within orifice or mouth

　ROD in ORIFICE, MOUTH
…or: ORIFICE, MOUTH and ARRAYED
…or: RAISED ROD in CAVITY CONTAINMENT
…or: DIVINE, DIVA with IN-OUT, END-TO-END
　

肙

× larvae; to twist or screw, to empty, to surround; spinneret, meatus

　MEAT with AN OPENING, APERTURE
…or: ORIFICE and MEAT, CHICKS AND BUNNIES
…or: ORIFICE with TONGUING MOUTH within SPREAD LEGS
…or: ORIFICE and HAVING A REASON TO DO SOMETHING, PRETENDING, A PRETEXT, EXCUSE GIVEN TO HIDE THE TRUE REASON FOR SOMETHING, ROD WITHIN ORIFICE OR MOUTH within SPREAD LEGS
…or: the MERCHANDISE, GOODS are WITHIN SPREAD LEGS
　

Meanings of elements

SPUN EMISSIONS with OPENING, APERTURE and MEAT, SPINNERET, MEATUS
…or: ROD STALK SEGMENT in MOUTH within SPREAD LEGS with STRINGY PENILE EMISSIONS
…or: WHAT!? HOLLERING, PROFESSIONAL CARE NEEDED with ROD EMISSIONS and MOUTH on MEAT
…or: HAVING A REASON TO SPEAK within ROD STREAMING with LARVAE, SCREWING, BECOMING EMPTY, SURROUNDING MEATUS and PENILE EMISSIONS
…or: THREAD from LARVAE

「Ejaculate, threads from meat orifice」meaning TO EAT IT ALL, perhaps when otherwise not wishing to do so: sources say that the right element means「cream colored」due to the color of either the silk, or the silk caterpillar, or the related discharges of ejaculate that this glyph represents. Moth larvae caterpillars「ejaculate」from an「orifice」in「body, meat」a very long stream of cream colored, sticky and stinky fiber that soon hardens to form a cocoon. Unraveling this fiber, cleaning and removing the outer sticky, stinky protein and then spinning many of these fibers at a time into thread to weave fabric is how SILK is produced. In most cases, the workers who are spinning the silk EAT IT ALL, referring to the parboiled caterpillars after removing the cocoon from around the animal. This may be the source of the English term 'grub' as it refers to the food of low-class folks such as slaves and workers with silk. Japanese given external meaning of MANGE TOUT is French meaning「to eat it all」and refers to (among other things) the peas and green pods of SNOW PEAS that can all be eaten. Perhaps coincidentally, gleet also is often a mixture of greenish and cream-colored schmutz, the same as fully masticated SUGAR PEA PODS.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: thin, tough silk fabric
Japanese: silk, snow pea, snow peas, mange tout, finish
Unihan extended: kind of thick stiff silk
EDRDG: silk

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.