杂 motley, all different, crude, mixed, miscellaneous 卆,ハ,丿,⺄,一,亅,小,九,朩,

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MingLiU:

Mincho:

Gothic:

杂

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Glyph elements [ Toggle Font ]

卆

ソツ,シュツ,そっ,お,ついに,にわか lowest rank, foot soldier, finally at last, service provider, comfort woman, dying, to die, to die for, come to the end

　SPURTING with the NEEDLE
…or: SPURTING in ROTATION
…or: ERECT, THRUSTING FORWARD and SCREWING, TWISTING
…or: NINE of TEN
　

ハ

× HTML entity: ハ emit downward

　EMISSIONS, EMIT DROPS
…or: HEAD TAUT
　

丿

ヘツ,えい,よう straight up erect, quick jerking movement, stretched taut

　ERECT, FLING
　

⺄

× HTML entity: ⺄ thrusting laterally, taking flight, a "bird" in motion

　LATERAL MOTION of PENIS or TAIL
　

一

イチ,イツ,ひと～ horizontal, array of items, reciprocating lateral motion, indicates width or extent, one segment, rod stalk or stem

　SIDE TO SIDE, BACK AND FORTH
　

亅

ケツ,かぎ downward flowing fluid stream; barbed

　STREAM
　

小

ショウ,ちい,こ～,お～,さ～ relatively small condition; small stream of emissions; young, a minor; human mound; deeply felt

　STREAM of EMISSIONS
　

九

キュウ,ク,ここの nine; spurting, numerous times, to multiply

　ERECT, COPULATING with LATERAL MOTION
…or: QUICK MOVEMENT, ERECTION THRUSTING FORWARD
…or: HAND on PENIS
…or: ROD in COPULATION
　

朩

× hemp; herbs, cannabis; et cetera; wait while passing time without anxiety

　TWISTED SMALL
…or: ROD-LIKE with STEADY STREAM of EMISSIONS
…or: ARRAY of SMALL EMISSIONS
…or: SCREWING in COPULATION
　

Meanings of elements

LOWEST RANK, FOOT SOLDIER, FINALLY AT LAST, DYING, TO DIE, TO DIE FOR, COME TO THE END with EMISSIONS DOWNWARD SPLASHING
…or: ERECTION STRETCHED TAUT and THRUSTING LATERALLY, TAKING FLIGHT, BIRD IN MOTION with RECIPROCATING LATERAL ROD MOTION and STREAM OF FLUID DOWNWARD with EMISSIONS
…or: NINE, SPURTING NUMEROUS TIMES, TO MULTIPLY with HEMP HERBS, ET CETERA, PASSING TIME
…or: SPURTING WOODY
…or: SPURTING with NEEDLE EMISSIONS
…or: SPURTED ARRAY OF STUFF in EMISSION STREAM
…or: EMISSIONS DYING
…or: SPURTED onto CANVAS
…or: SPURTING ROD within SMALL YOUTH MONS PUBIS
…or: SERVICE PROVIDER, COMFORT WOMAN with EMISSIONS

[Elements vary by font] A「spurting woody」with regard to involuntary discharges occurring frequently if not continuously strongly suggests a MOTLEY mix of variously colored miscellaneous emissions due to either a chronic or an acute infection, if not both.
「Emissions of soldiers spurting and screwing comfort women」or「emissions of dying」would most certainly generate a MOTLEY mixture of infectious schmutz…see original glyphs of 卒, 率, and 卛 for details. All the combined bodily「emissions while dying」as MISCELLANEOUS, MOTLEY.

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: mixed; miscellaneous; various; to mix
Unihan extended: mixed, blended; mix, mingle

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.