㣯 dresses tossed over shoulders revealing a girl's genitals, to shake, to toss, to wave, to scull, to row, to agitate, flirt, attract attention, advertisement 亻,䏌,肖,仈,丨,佾,⺼,ノ,俏,肩,彳,屑,

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MingLiU:

Mincho:

Gothic:

㣯

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Glyph elements [ Toggle Font ]

亻

× person (male generally), rod head, head on rod

　THE HEAD OF AN ANIMAL OR PERSON and VERTICAL, RECIPROCATING MOTION, ONE'S ROD, STALK OR STEM
　

䏌

× booty dancers, jiggling, vibrating, chorus line of singing girls dancing during the rites of spring, shaking one's money-maker, twerking for coin, fan-dancing, to survive by employing one's native talents and skills, good vibrations, meat offerings, mooned offerings, buzzing, spurting meat

　EMIT and BODY MEAT
…or: SPLIT and FLESH
…or: ENDLESS LINE of MEAT MOONING
　

肖

　VERTICAL RECIPROCATING MOTION, ROD STALK with JIGGLING, VIBRATING, BOOTY DANCERS, CHORUS LINE OF SINGING GIRLS DANCING DURING THE RITES OF SPRING
…or: SMALL STREAM OF EMISSIONS, YOUNG MINOR, SMALL, PETTY, TINY FLOW, HUMAN MONS, DEEPLY FELT FEELING DIFFICULT TO FORGET with BODY MEAT, FLESH, CHICKS AND BUNNIES
　

仈

ハツ,ハチ,× person spurting some sort of emission; a surname used in China

　PERSON with EMISSION
…or: VERTICAL ROD, RECIPROCATING MOTIONS and HEAD SLIDING with EMISSIONS
　

丨

コン,シ,ジョ,ニョ,すす,しりぞ vertical, reciprocating motion vertically, rod stalk or stem while vertical

　TOP TO BOTTOM, BOTTOM TO TOP, UP-DOWN
　

佾

イツ,イチ,やす row of meat dancers, dancers with meat offering, meat jiggling dance

　PERSON SPURTING SOME SORT OF EMISSION with MEAT
…or: ROD HEAD SLIDING with BOOTY DANCERS, JIGGLING, VIBRATING, CHORUS LINE OF SINGING GIRLS DANCING AT THE RITES OF SPRING
…or: PERSON with MEAT EMISSIONS
　

⺼

× HTML entity: ⺼ body meat or flesh; meat of disintegrated feet; chicks and bunnies

　ERECTION and CLEVER with DROPS
…or: STIFF with CONGEALING and WRAPPED NO-LONGER-INTEGRATED BONES
…or: QUICK MOVEMENTS with FLEDGLING WING
　

ノ

× HTML entity: ノ head, sliding down, declining, dammed flow

　HEAD SLIDING DOWN
　

俏

ショウ,に,かたど,みめよい,やつ smart, alike, similar, resemble, pretty, disguise oneself as, dress up; to stimulate the imagination, attractive, looking good, good-looking, moving with alluring or lascivious dexterity, shaking one's money-maker, shaking one's booty, a booty call, advertising in action

　PERSON, ROD HEAD with SPURTING SOME SORT OF EMISSION within ROD MEAT
…or: VERTICAL RECIPROCATING MOTION and ROW OF MEAT DANCERS AT A SACRIFICE, MEAT JIGGLING DANCE, BOOTY DANCERS, CHORUS LINE OF SINGING GIRLS DANCING DURING THE RITES OF SPRING with BODY MEAT FLESH, CHICKS AND BUNNIES
…or: PERSON and SIMILAR, RESEMBLE, TO BE ALIKE, SHARE WITH ANOTHER, GET LUCKY, FOLLOW THE EXAMPLE OF ANOTHER PERSON
…or: ROD HEAD with SMALL YOUTHFUL MEAT
　

肩

ケン,かた a shoulder, to shoulder, to bear

　BUTTOCKS CRACK and MEAT
…or: FRESH MEAT in ONE'S DOORWAY, HOUSEHOLD
…or: CORPSE MEAT
…or: DOOR-like BODY PART
　

彳

テキ,たたず loitering, aimless dawdling, standing idle, purposeless motion, taking small steps, multiple people heads, multiple sliding rod heads, taking steps with the left foot only, adult man going, departing markedly from the usual or customary in an extreme or drastic manner

　multiple HEADS of PEOPLE
…or: multiple HEADS of A MALE PERSON
…or: multiple HEADS SLIDING on ROD
　

屑

セツ,くず,いさぎよ shit, crap, scrap, trash, waste garbage; condescend to, open-hearted, to open one's heart and clean its contents

　TO SHOULDER a STREAM OF EMISSIONS, SMALL YOUTH, DIFFICULT TO FORGET
…or: BUTTOCKS, EXCREMENT and RESEMBLE, SIMILAR, ALIKE, MINIATURE OF, TO SHARE WITH ANOTHER, TO BE AFFECTED AND BECOME THE SAME STATE AS ANOTHER
…or: CORPSE with ROD EMISSIONS in MEAT
　

Meanings of elements

HEAD of PERSON SPURTING SOME SORT OF EMISSION and VERTICAL RECIPROCATING ROD MOTIONS with BUTTOCKS MEAT OF CHICKS AND BUNNIES
…or: HEAD of ROW OF MEAT, DANCERS AT A SACRIFICE with BUTTOCKS VERTICAL
…or: HEADS and SMART, ALIKE, SIMILAR with BUTTOCKS
…or: LOITERING for ROD EMISSIONS on SHOULDER
…or: TO PLACE ON ONE'S SHOULDER with SMALL DAWDLING MOTIONS
…or: LOITERING, STANDING IDLE, TAKING SMALL STEPS and TO CONDESCEND TO, SEEING SHIT
…or: LOITERING MOTIONS with BUTTOCKS, GENITALS and MINIATURE CLITORIS MEAT, RESEMBLE, BE AS LUCKY AS THE NEXT PERSON
…or: LOITERING by BUTTOCKS, GENITALS of JIGGLING BOOTY DANCERS with ROD VERTICAL

Seemingly a comparison of the similar shapes (not sizes, necessarily) of a young hairless vagina and a buttocks, an observation often made by young boys and girls, one that presumes actually looking at both. Dancing the Can-Can (you can, I can) actions to attract business, stir up, agitate clients, advertising tactics, shaking booty, twerking, flash dancing, overtly flirting, flashing beaver, flipping bird, boneless chick fillets, and so on.「Loitering with genitals, buttocks while being as lucky as the next person」since everyone can witness the display, as Norma Jeane Mortenson knew well.

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Unihan extended: the dresses toss and flying about in the wind, to shake; to toss, to wave, to scull; to row, to agitate

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.