瑒 feeling royal like a king 旺,一,勿,場,王,昜,

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MingLiU:

Mincho:

Gothic:

瑒

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On-yomi [ Toggle rōmaji ]

チョウ　･　トウ　･　ジョウ
CHO　U　･　TO　U　･　JO　U

Glyph elements [ Toggle Font ]

旺

オウ,キョウ,ゴウ,かがや,うつくし,さかん loud sound, vigor, prosper; flourish, flowering, roaring flames

　SUN on KING
…or: TONGUING MOUTH with KING
　

一

イチ,イツ,ひと～ horizontal, array of items, reciprocating lateral motion, indicates width or extent, one segment, rod stalk or stem

　SIDE TO SIDE, BACK AND FORTH
　

勿

モチ,ブツ,ボツ,なか,なし gushing out and bubbly, often with chunks of suspended material; animal litters, animal births; spontaneous abortion, miscarriage; do not; not yet

　HEAD IN TENSION, SKIN SLIT with HEADS SLIDING DOWN (doubled)
　

場

ジョウ,チョウ,ば stage for dramatic events, scenes, sporting events; a location (wide range of applications); classifier for examinations and testing sessions

　SELF-POSSESSED HAVING CONTROL OF ONE'S EMOTIONS, FLAT, SMOOTH, LAID FLAT with GUSHING OUT AND BUBBLY, OFTEN WITH CHUNKS OF SUSPENDED MATERIAL, ANIMAL LITTERS, ANIMAL BIRTHS, SPONTANEOUS ABORTION, MISCARRIAGE, DO NOT, NOT YET
…or: ROD inside a BORDER, LIMIT, FRONTIER, BOUNDARY, A DIKE
…or: LOOSE STOOL, SLURRY, DIARRHEA and ON THE VERGE, ON THE EDGE, FEUDAL LORD BRAGGART, CHUTZPAH GALL, HUSBAND BROTHEL CLIENT, FEMALE ROLE, DAWNING, AN AWAKENING
…or: SOIL, CLAY, FECES and OPENED GUSHING, BUBBLING, ABLE TO OPEN EXPANDED, BRIGHT, A DEEP-DOWN GLORIOUS FEELING, NOT CLOSED-MOUTHED
…or: FAIRGROUND for FELLATRIX GURGLING and MOUTH GUSHING, DRIPPING
…or: NIGHT SOIL GUSHING IN THE FEMALE ROLE, AN AWAKENING
　

王

オウ,～ノウ,× king, the crown, rulership

　WIDE ARRAY of LAND
…or: WIDE ARRAY of DIRT, NIGHT SOIL
…or: WIDE ARRAY of FLESH SEAMS
　

昜

⺕ウ,× not closed-mouthed; opened; gushing, bubbling; able to open; expanded; bright; a deep-down glorious feeling

　TWICE, CHANGING STATE inside SUCKING LIPS AND MOUTH
…or: ROD within EASILY CHANGE
…or: FELLATRIX but NOT YET READY
…or: FEMALE ROLE, DAWNING, AN AWAKENING with GUSHING STUFF
　

Meanings of elements

LOUD SOUND, VIGOR, PROSPER, FLOURISH, FLOWERING, ROARING FLAMES with AN ARRAY OF ITEMS, RECIPROCATING ROD MOTION, INDICATES EXTENT and with GUSHING OUT AND BUBBLY OFTEN WITH CHUNKS OF SUSPENDED MATERIAL, ANIMAL LITTERS, ANIMAL BIRTHS
…or: AN ARRAY OF ITEMS, RECIPROCATING ROD MOTION on STAGE FOR DRAMATIC EVENTS, SCENES, SPORTING EVENTS, THE LOCATION FOR A WIDE RANGE OF APPLICATIONS, CLASSIFIER FOR EXAMINATIONS AND TESTING SESSIONS
…or: KING, CROWN, RULERSHIP and NOT CLOSED-MOUTHED, OPENED, GUSHING, BUBBLING, ABLE TO OPEN EXPANDED BRIGHT DEEP-DOWN GLORIOUS FEELING

Recall that in the old days of China, most kings had harems…requiring the arduous task of a constant「line-up of field testing」by none other than the king or lord himself.

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.