迁 shift, change position, transfer to another location, relocate, to promote 辷,ノ,丨,辻,ー,辶,千,

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MingLiU:

Mincho:

Gothic:

迁

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On-yomi [ Toggle rōmaji ]

セン
SE　N

Kun-yomi

うつ(る　･　うつ(す　･　みやこがえ
u　tsu　ru　･　u　tsu　su　･　mi　ya　ko　ga　e

Glyph elements [ Toggle Font ]

辷

×,すべ smooth, slippery; slide or skate; to fail; sliding with feet

　STEPS, FOOT MOTION and LATERAL MOTION
…or: ROD with emphasis on TWO NO-LONGER-INTEGRATED FEET and TAUT
　

ノ

× HTML entity: ノ head, sliding down, declining, dammed flow

　HEAD SLIDING DOWN
　

丨

コン,シ,ジョ,ニョ,すす,しりぞ vertical, reciprocating motion vertically, rod stalk or stem while vertical

　TOP TO BOTTOM, BOTTOM TO TOP, UP-DOWN
　

辻

×,つじ intersect, intersection; motions twisting together

　SLIPPERY SLIDING with ROD in RECIPROCAL MOTIONS
…or: STEPS, FOOT MOTION and SCREWING, CROSSED, BLOCKED, TURNING
　

ー

× HTML entity: ー repeated, bobbing

　REPEATED BOBBING
　

辶

チャク,しんにょう HTML entity: 辶 foot motions, motion of feet, something in motion, taking steps

　DRIPPING, DRIP BY DRIP, ONE DROP AFTER ANOTHER, COOLING PROCESS, CONGEALING, CHANGE BETWEEN TWO PHYSICAL STATES, CEASE MOTION with TAUT NO-LONGER-INTEGRATED FOOT OF CHINESE FEMALE
…or: DOUBLED EMPHASIZED with TENSION, STRESS WITH SPRING-LIKE ACTION, FOOT and STRETCHED TAUT, THE OTHER SIDE TOO
　

千

セン,ち reciprocating seesaw motion, repeated swinging motion back and forth, thousand times, cheating at (something)

　REPEATED BOBBING with TWISTING ROTATION or THRUSTING MOTION
　

Meanings of elements

SMOOTH, SLIPPERY SLIDE OR SKATE, SLIDING WITH FEET, TO FAIL with THE HEAD OF THE ANIMAL and VERTICAL RECIPROCATING MOTION OF ROD STALK
…or: INTERSECT, INTERSECTING MOTIONS TWISTING TOGETHER and REPEATED HEAD BOBBING UP AND DOWN CONTINUOUSLY
…or: MOTION OF FEET, IN MOTION TAKING STEPS with RECIPROCATING SEESAW MOTION, REPEATED SWINGING MOTION BACK AND FORTH, THOUSAND TIMES, CHEATING AT (SOMETHING)

Some say, meaning a thousand steps, although only a thousand steps is hardly a long move, being about one kilometer.
「Two no-longer-integrated feet in taut motions」with「repeated screwing, thousand times」as swapping feet and shifting, changing grips, transferring and relocating to the foot on the other side was likely the intention, SHIFTING POSITIONS, CHANGING LOCATIONS, and then continuing with one's「thousand penile thrusting motions」and「repeatedly bobbing head while screwing.」And how often has the capital city been relocated in China? often enough to create this glyph?…unlikely:「repeated intersections, crossroads, street corners」does suggest a walk through a big city or capital in search of streetwalkers or bar-hopping to pole-dancing establishments as the elements describe, but not the countryside.

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: to move; to shift; to change (a position or location etc); to promote
Japanese EDRDG: move, shift, change, transfer, relocate a capital city
Unihan extended: move, shift, change; transfer; relocate a capital city

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.