滿 no more can be accepted, no more wanted, stanch the flow, limited out, reach full capacity, completely full, satisfied 汭,廿,丨,入,氵,㒼,

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MingLiU:

Mincho:

Gothic:

滿

Login Welcome!　Introduction
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On-yomi [ Toggle rōmaji ]

マン　･　バン
MA　N　･　BA　N

Kun-yomi

み(ちる　･　み(つ　･　み(たす
mi　chi　ru　･　mi　tsu　･　mi　ta　su

Glyph elements [ Toggle Font ]

汭

ゼイ,ネイ,ゼツ,ネチ,なが,みぎわ river bend, turning a corner within fluids; confluence of two streams

　SCHTUPPING, TUPPING, COITUS within SPREAD LEGS
…or: FLUIDS with INNER, YOUR HOME, YOUR WIFE, WITHIN, AMONG
　

廿

ジュウ,ニュウ,にじゅう twenty or so; many and various times; illegitimate child

　ARRAY of CAVITIES
…or: TEN (doubled)
　

丨

コン,シ,ジョ,ニョ,すす,しりぞ vertical, reciprocating motion vertically, rod stalk or stem while vertical

　TOP TO BOTTOM, BOTTOM TO TOP, UP-DOWN
　

入

ニュウ,ジュ,い,～い,はい enter, to go into put into, attendance, become a member of; confirm, agree

　HEAD or ERECTION in HORIZONTAL MOVEMENT, or STRETCHED TAUT, OTHER SIDE TOO
　

氵

×,さんずい fluidity, fluid

　emphasis on MANY DRIPS, DRIPPING, COOLING PROCESS
…or: MANY TIMES DROPS
　

㒼

× tight seal, blocked, equal on both sides, mean average, median, strip about in the middle between two thoroughfares

　TWO RODS, TWO SCREWING with BOTH SIDES, TWO WITH ONE
…or: BASTARDS and INSERTION in ADJACENT CAVITIES
　

Meanings of elements

CONFLUENCE OF TWO STREAMS with ILLEGITIMATE CHILD BASTARD and with RECIPROCATING ROD MOTION VERTICALLY with INSERTION ENTRY, PUT INTO, ATTEND, BECOME A MEMBER, AGREEMENT
…or: FLUIDS with TIGHT SEAL BLOCKED, EQUAL ON BOTH SIDES, MEDIAN STRIP ABOUT IN THE MIDDLE BETWEEN TWO THOROUGHFARES
…or: DOUBLE SCHTUPPING COITUS, TWO PENETRATIONS within SPREAD LEGS and FLUIDS with TWENTY OR SO, BASTARDS

Top-right element is「a count of twenty-something, bastards.」「The flow of twenty or so bastards piled in layers from both sides」meaning NO MORE CAN POSSIBLY BE ACCEPTED OR ACCOMMODATED.「Both sides」depicting「entering inside on each side. Person inside both sides」that some scholars claim is a yoke for humans to pull a plough or passenger vehicle, yet more likely depicts that there are no further available orifices since both sides are presently occupied, and NO MORE CAN POSSIBLY BE ACCEPTED OR ACCOMMODATED.
But in any case, with the「flowing liquid」element, it means NO MORE WANTED, STANCH THE FLOW. Glyph also was used to denote Manchuria, with「flow of uncounted bastards from both sides」possibly referring to Mongolia, Siberia, Korea, Japan, or other nomadic peoples from all sides procreating mongrel bastards in Manchuria from「both sides」of the family tree or the borders, flowing into dynastic China.
To more fully elucidate the nature of the「bastards on both sides」meaning, note that other scholars say the lower-right element depicts a「melon sliced in half」and a split melon in Chinese euphemistically referred to 'lost virginity, a deflowering cucumber' with「spread legs」and「enter, put into」from both sides during the session.

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: to fill; full; filled; packed; fully; completely; quite; to reach the limit; to satisfy; satisfied; contented; Manchu ethnic group
Japanese EDRDG: fill, full, satisfied
Unihan extended: fill; full, satisfied

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.