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On-yomi   [ Toggle rōmaji ]
ケツ ・ ケチ ・ ケイ ・ ケ
KE TSU ・ KE CHI ・ KE I ・ KE
Kun-yomi
さざき
sa za ki

Glyph elements  [ Toggle Font ]

Meanings of elements
ARRIVE AT AN IMPORTANT DECISION BY PULLING OPEN, ONE SIDE PULLED, ONE SIDE MISSHAPEN, MEDICAL INSPECTION FOR SEXUALLY TRANSMITTED DISEASE SYMPTOMS and BIRD
The given meanings represent all different species: tailorbird, weaverbird, shrike, and cuckoo, yet all exhibit the characteristic of「pulling to one side.」The tailorbird pulls one side of a large leaf over and stitches the side closed, forming a cone in which it builds its nest. The weaverbird weaves its nest from materials with an opening below and to one side, enabling access. Shrikes impale prey and then pull it apart one side at a time while eating. Cuckoos are unusual in that after seizing prey, the bird rubs one side against something hard, such as a branch, causing one side to be misshapen prior to devouring it. Likely, no explanation is necessary for TAILORBIRD (bird using needles, as does a tailor) or BUTCHERBIRD (cutting meat) or the other「birds.」

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: tailorbird (Orthotomus spp.); weaver bird (family Ploceidae); variant of 鴃, shrike; cuckoo
Unihan extended: the tailor-bird; the working bird
EDRDG: the tailor-bird the working bird

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.


Chinese usage: 2 entries


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